Quantcast
NEWS |   Sign In   |   I'm New Here
Return to home page





First Steps
Min Rager
Shambhala
Susan Wylde
Go and Find
Leanne Weatherly
This Heart of Mine
Pamela Hines
In Between Moods
Tony Foster
Moods
Michaela Rabitsch & Robert Pawlik Quartet








Pete McCann
Info | Enter
Gretchen Parlato
Info | Enter
Henry Threadgill
Info | Enter
Keith Jarrett
Info | Enter

Phases 1972-1982
Blo | AfroStrut (2001)


By Nils Jacobson
Comments        

The '70s were a tumultuous time in Nigerian music. The Afro-Carib-jazz sounds of highlife had swept West Africa, and funk was hitting hard. At any time in Lagos you could find a huge variety of cross-cultural fusions, melding Old and New World, tradition and invention. Out of this creative storm came many influential groups, some of which derived their influences more directly than others. When Ginger Baker (drummer of Cream fame) made the journey from the UK across the desert to Nigeria in a Range Rover in the late '60s, he brought a BBC camera crew and an abiding interest in absorbing African styles. Fast forward to 1971: Baker formed a band called Salt, featuring five Nigerian musicians, which toured the US and Europe. When Salt imploded, a power trio named Blo emerged from its ashes. Phases documents the rise and fall of this group through a decade of changes, drawing from five records issued over the period.

In 1972, Blo created its own sound, which evolved dramatically over the next ten years. The instrumentation was straight out of rock: guitar, bass, and drums. The approach was pure pop—however you might define it during those crazy times—but it involved extended, creative improvisation. The music drifted among the sounds of '70s Lagos, pulling together bits and pieces from here and there. The first three tracks on Phases come from Blo's debut, an unadulterated trip through sound and space. The guitar on "Miss Sagit" glides through minor melodies with a decidedly sitar-like sound; "Chant to Mother Earth" features slow, echoing vocals. A couple years later, Blo turned to the deep funk that would remain their hallmark. "It's Gonna Be A Good Day" blends strutting guitar with syncopated bass and drums, carrying an upbeat vocal message and an irrestible call to dance. Only rarely did the group turn back to its Yoruba roots, as on "Atide," featured here. As time progressed, they began to dip into the frenzy of disco, retaining the energy without the faux plastic trim. "Scandi Boogie" (from 1976) stands as the high point of Phases :

It don't need no explanations
You can feel the vibrations...
Are you cool enough to do it?
Gonna do it! Scandi boogie!

How can you say no to that invitation?

Hats off to AfroStrut for bringing together this kaleidoscopic retrospective of a Nigerian band that managed to cross boundaries without ever losing its organic appeal. These guys had fun, no doubt about it.


Visit AfroStrut on the net. Phases is available from amazon.co.uk and other retailers.

For more African music reviews, visit our special review page .


Track listing: Preacher Man; Miss Sagit; Chant to Mother Earth; Blo; It's Gonna Be A Good Day; Don't Take Her Away From Me; Atide; Scandi Boogie; Trace Of Suicide; Number One; Get That Groove In; Loving Caring; Dance In A Circle.

Personnel: Blo: Berkely "Ike" Jones: guitars, vocals; Laolu "Akins" Akintobi: drums, vocals; Mike "Gbenga" Odumosu.

Style: Beyond Jazz
Published: November 04, 2002


Be the first to post a comment on:
Blo's Phases 1972-1982

Signup & post a comment!






More articles by Nils Jacobson

Malian Strings: Kora & Guitar
Dance: Arabia, Turkey and Beyond
South Africa: A Rough Guide & Vusi Mahlasela
Techari
Nils Jacobson's Best of 2006




Recent CD Reviews
George Garzone - Among Friends George Garzone
Among Friends
Charles Tyler - Charles Tyler Ensemble Charles Tyler
Charles Tyler Ensemble
Rudi Mahall / Axel Dorner / Jan Roder / Uli Jennessen - Die Enttausschung Rudi Mahall / Axel Dorner / Jan Roder / Uli Jennessen
Die Enttausschung
Fay Victor Ensemble - The Freesong Suite Fay Victor Ensemble
The Freesong Suite
Jon Irabagon with Mike Pride - I Don't Hear Nothin' But the Blues Jon Irabagon with Mike Pride
I Don't Hear Nothin' But the Blues
Hank Jones / Oliver Jones - Pleased To Meet You Hank Jones / Oliver Jones
Pleased To Meet You

CD Review Search
Artist Name  
Album Title  
Record Label  
Author  
 




 
(26)













.. Privacy Policy | AAJ Supports: Lens Lady All material copyright © 2009 All About Jazz and/or contributing writer/visual artist. All rights reserved. Advertise | Contact Us