Home » Jazz Articles » Album Review » Point4: Panopticon

280

Point4: Panopticon

By

Sign in to view read count
Point4: Panopticon
Arguably, this 2008 release stands as one of the more comprehensive and, plainly speaking, finest albums this avant-garde Norwegian record label has issued thus far.

However, that statement unto itself might seem a bit bold, especially when considering its impressive discography and largely exuberant acceptance from global avant-jazz and New Music aficionados. With this double duo piano and drums lineup, the band shows how the sky's the limit.

Recognized for his recordings for ECM Records, pianist Jon Balke augments the band sound with electronics-based treatments. During several passages the ensemble conjures up lucid imagery that is apt to take the listener on a mind-bending journey that seemingly defies elements of time and space. Reference points are hard to come by where the music assumes variable metrics and shapes. Think of free-form minimalist type sound-sculpting that is synchronized with ethereal backdrops.

The foursome executes spacey and harrowing frameworks marked by Balke and pianist Kenneth Karlsson's use of depth to coincide with their animated single note flurries. And they project lots of timbre amid a surfeit of unanticipated shifts in direction, often-enamored by the percussionists' booming drum hits, jangling bells and asymmetrical fills.

On the album's finale "Side Shadow," Balke and Karlsson render a series of oscillating piano and electronics patterns atop the percussionists' swarming metrics. It all casts a rather eerie effect as the music segues into a great void. Overall, the quartet parlays expressionism into many sub-plots and underlying motifs as if they're spinning a huge geometrical web that transcends any strict sense of musical normalcy. It's a powerful, yet daintily outlined trek that should offer gobs of stimulation to one's neural network.

Track Listing

Wide red; Di fianco; Sostenuto; Partita - Allemande I; Partita - Digression; Partita - Allemande II; Partita - Courtante; Partita - Sarabande; Partita - Gigue; Panopticon; Seven perspectives - point zero; Seven perspectives - point one; Seven perspectives - point two; Seven perspectives - point three; Seven perspectives - point five; Seven perspectives - point six; Seven perspectives - point seven; Side shadow; Vanishing point.

Personnel

Karlsson: piano; Jon Balke: piano, electronics; Bjørn Rabben: percussion, melodic percussion; Ingar Zach: bass drum, percussion.

Album information

Title: Panopticon | Year Released: 2008 | Record Label: SOFA

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Fiesta at Caroga
Afro-Caribbean Jazz Collective
Fellowship
David Gibson
Immense Blue
Olie Brice / Rachel Musson / Mark Sanders

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.