Ranaldo's solo efforts typically constitute drones and looped feedback, over which he sometimes recites poetry or adds further guitar effects. In previous sets with Willam Hooker, such as Envisioning , the two players seemed to counteract one another, Ranaldo's subtle, layered minimalist approach having little to do with the bombastic bashing that tends to characterize Hooker's playing.
From the get-go Monsoon falls once again into this disparity. Ranaldo and Miller are both highly textural players, and Hooker once again sees fit to lay in with uninventive polyrhythms that have almost nothing to do with the soundscape created by various types of feedback. This web of sound, however, does achieve enough foreground prominence that one can overlook Hooker's relatively isolated methods and concentrate on textural issues.
There is an ebb and flow in the trio's playing, passages of intensity that rise from the relaxed-yet-dissonant flow, giving this set an extra edge over similar efforts. Though this is a live recording, it's also mixed so that everything the group does is audible but the audience remains undetected. Of course, a single fifty-minute improvisation is a difficult beast, and it is a tall order to maintain a sense of direction throughout. Monsoon is unfortunately no exception; at about the 35-minute mark, the doldrums appear and last for a good ten minutes before the trio get rather excited again towards the end.
If you're already predisposed to improvised free-rock and noise, this should be an enjoyable listen. Monsoon certainly eclipses previous duo efforts with William Hooker in terms of variety and interest – and in terms of quality, it far exceeds some of Thurston Moore's free music experiments. Of course, if you're expecting the usual free jazz or anything like it, this probably won't fit the bill in the least.
This review originally appeared in AllAboutJazz-New York .
Track Listing: Monsoon (49:01).
Personnel: Lee Ranaldo - guitar, effects; William Hooker - drums; Roger Miller - keyboards.
Record Label: Atavistic Worldwide
Style: Modern Jazz
One moment, you will be redirected shortly.