Days 1-3 | Days 4-6 | Days 7-9 | Days 10-11 Mikko Innanen & Innkvisitio Etienne Charles and Folklore / Bill Frisell's Beautiful Dreamers Bill Frisell 858 Quartet
TD Ottawa International Jazz Festival Ottawa, Ontario, Canada June 24-26, 2010 Back in April 2010, when the TD Ottawa International Jazz Festival unveiled its 30 Anniversary program, the general consensus was that it had somehow managed to top its 2009 edition, which boasted one of the strongest lineups ever. 2010 has brought a considerable number of changes to the festival, and while some represent the end of an era, others represent a new direction that bodes well for the festival's future.
With the retirement of program director Jacques Emond after an incredible stretch of 30 years, OIJF will be in search of a new program director to build on Mr. Emond's tradition of excellence. Over the years, however, Executive Producer Catherine O'Grady has assumed an increasingly active role in programming, bringing a more left-of-center disposition and becoming a much-needed local advocate for the rich and, at least in North America, unfairly overlooked European scene. Her stellar Improv Invitational series at the National Arts Centre's Fourth Stage, beginning five years ago, has provided an ongoing, dedicated vehicle for artists ranging from Evan Parker
Two other longstanding series have been replaced/renamed. The Connoisseur series, an afternoon institution of concerts in the theater of Library and Archives Canada, has been re-titled the Anniversary series, but a rose is a rose by any other name, and 2010 boasts a fine group of more centrist shows that will include Canadian pianist Michele Gregoire and Ottawa's own Hugh O'Connor, as well as two final shows that hold considerable promise: the first, pianist Fred Hersch
More severe a loss is the longstanding Studio Series, which took place in the 350-seat Studio of the National Arts Centre. In its place, the OLG Late Night Series inaugurates a new tent on the west side of Confederation Park, directly opposite the larger main stage. With another fine lineup including drummer Manu Katche
, the only question is how the sound will be in the tent. It's a new venture, with a few teething pains no doubt to be had, but the design of the tent is top-notch, with a generous stage, a grand piano, and seemingly well-configured sound system. Sometimes change is good, and in some ways, this new series in a new location may well do better than the Studio series, as people leaving the park after the main stage shows will now have another option right along their path.
The main stage, as usual, is reserved for larger, more eminently approachable crowd pleasers, but Ottawa's reputation as one of the purer jazz festivalsat a time when others face much more mixed programming to help stay afloatremains intact. Yes, there are some shows, like the first official evening's Smokey Robinson, that are a stretch, but in relative terms not so far as to be an issue to most, and the rest of the programming promises to be as exciting as this festival has ever seen, ranging from piano icon Herbie Hancock
. Garrett nearly blew the roof off the Library and Archives theater a few years back, so who knows how high into the stratosphere he'll go, unconstrained by any kind of ceiling?
OIJF also introduces another new series, the Friends series which, akin to Montreal's By Invitation, brings artists into a venue for two nights with two different groups of their own choice. Amongst the highlights are two artists who are no strangers to Ottawadrummer Matt Wilson
, who will perform one night with his 858 Quartet, and the other with his new trio featuring violist Eyvind Kang and drummer Rudy Royston, and whose first release, Beautiful Dreamers will be out on Savoy Jazz later this summer.
There's more still, and while local bassist John Geggie