Hal Galper has had a long, distinguished career as a jazz pianist, bandleader, composer and educator. While the pianist has made a flurry of recordings over the past few years, record labels are beginning to mine the wealth of material he produced during the '=1970s. Now Hear This was first issued by Enja in 1977 and subsequently reissued in its original form, though this edition sports a redesigned cover and a bonus track. Galper's inspired quartet includes trumpeter Terumasa Hino, bassist Cecil McBee and drummer Tony Williams. The title track, which was recorded by its composer with a different quintet during the same decade, benefits from the stripped-down quartet and a decent piano (something not available for the live Century LP Speak With a Single Voice (1978)and reissued as the Double Time CD Children of the Night).
"Now Hear This" is one of Galper's most infectious works, as the pianist launches into a furious solo, with Hino's contribution followed by Williams' simmering break. The playful "Red Eye Special" suggests a bit of McCoy Tyner's influence, punctuated by Hino's searing trumpet. Galper builds "First Song of the Day" upon a simple repeated riff, intermingling thunderous chords and lightning runs in his solo, while both Hino's and McBee's features are equally full of fire. This expanded reissue includes a previously unreleased alternate take of it, which is a bit shorter but no less intense than the master. In addition to Galper's five originals, he includes a sauntering, sassy interpretation of Thelonious Monk's "Bemsha Swing." This is easily one of Galper's best recordings of the 1970s and very desirable to have in this expanded, brighter sounding 24bit edition.
Track Listing: Now Hear This; Shadow Waltz; Red Eye Special; First Song In The Day; Mr. Fixit; Bemsha
Swing; First Song In The Day (Alt. Take).
Personnel: Hal Galper: piano; Terumasa Hino: trumpet, flugelhorn; Cecil McBee: bass; Tony Williams:
I love jazz because I was born and raised here in America, and it is one of the most significant cultural contributions we have given to the world. It is an incredibly sophisticated artform that continues to challenge boundaries while delighting and engaging listeners of all different ages and backgrounds
I love jazz because I was born and raised here in America, and it is one of the most significant cultural contributions we have given to the world. It is an incredibly sophisticated artform that continues to challenge boundaries while delighting and engaging listeners of all different ages and backgrounds. I love how jazz can involve musicians who may have never met each other can coming together and making incredible music by referring to the Great American Songbook and musicians who have been playing together for years, who have a deep connection and who explore and create original music that is at the cutting edge of musical innovation in every sense. Performing jazz music requires a virtuosity and technique that only strict discipline can teach as well as a spontaneity and playfulness that reflects the simple folk roots of the music.
I was first exposed to jazz as a student in college. Only knowing I wanted to play guitar, I enrolled in an applied music program that focused on Jazz rhythm section playing. The subsequent journey that I have been on since the time that I enrolled in that class has helped me grow not only as a musician but more so as a person.