Jacqui Sutton: Notes From The Frontier: A Musical Journey (2012)

By Published: | 2,757 views
How we rate: our writers tend to review music they like within their preferred genres.

Jacqui Sutton: Notes From The Frontier: A Musical Journey
In America's infancy, exploration and a thirst for discovery were endemic to the human spirit. Over time, no stone went unturned, the world shrunk and people, by and large, became content with what they already knew. Something as simple as a new television program or electronic gadget now quenches the thirst-for-the-unknown that was once unquenchable in the mind of mankind, but true musical spirits aren't satisfied in this manner; they never stop searching. These musical pioneers explore the cracks and crevices between styles to find something new and meaningful to say, and vocalist Jacqui Sutton
Jacqui Sutton
Jacqui Sutton

vocalist
belongs to this breed.

Sutton finds the old in the new, the new in the old, and the joy in blurring lines that some refuse to blur. Her debut—Billie & Dolly (Toy Blue Typewriter, 2010)—honed in on two different figures from opposite sides of the fence, honoring Dolly Parton and Billie Holiday
Billie Holiday
Billie Holiday
1915 - 1959
vocalist
in unique fashion. Now, with Notes From The Frontier, she's broadening her gaze and taking a panoramic look at America.

Her aptly named style—Frontier Jazz—is synthesized through the marriage of bluegrass, musical theater, classical influences, jazz and more, but isn't purely based in any one of those categories; if record stores still existed, they'd have a hell of a time trying to file this one. A rootsy take on Gershwin's "Summertime" isn't Broadway, Appalachia, soul or jazz, but a combination of all four, while "Nature Boy" is Carnegie Hall classicism, Nat "King" Cole
Nat
Nat "King" Cole
1919 - 1965
piano
and Argentinean tango rolled into one. "Lady Of The Harbor" cuts to the core of the American spirit, with Emma Lazarus' famed "New Colossus" lines floating above a heavenly mixture of Irish flute, keyboard, melodion, trombone, cello, bass, percussion, banjo and guitar. An odd patriotic stirring comes to the surface on "Where The Music Comes From," which is underscored by fife and drum classicism with a modern twist. All of this music speaks to Sutton's sophisticated tastes and all-seeing eye, but she ultimately sounds best when working in neo-soul-meets-folk mode ("Summertime" and "Weary Angel") or gentle, countrified environs ("Blue Mountain"). Her true spirit roams free on this material and connects to the heart and mind in myriad ways.

Notes From The Frontier is melting pot music with a heavy emphasis on the heartland, as seen through modernistic eyes. This is music taken from the branches that sprouted from the tree trunk that grew from the roots of the American people.

Track Listing: Summertime; Lady Of The Harbor; Hummingbird/Blue Rondo A La Turk; Jenny Rebecca; Freed; One And Only; Nature Boy; Dear Friend; Where The Music Comes From; Weary Angel; Blue Mountain; Better Than Anything.

Personnel: Jacqui Sutton: vocals; Paul Chester: guitar, banjo; Anthony Sapp: bass; Ilya Janos: percussion; Eddie Lewis: trumpet, flugelhorn, piccolo trumpet; Henry Darragh: keyboards, trombone, melodion; Lyndon Hughes: drums, vocals; Cindy Scott: vocals; Aralee Dorough: flute; Bob Chadwick: Irish flute; Max Dyer: cello.

Record Label: Self Produced


comments powered by Disqus
Sponsor: Summit Records | BUY NOW

Enter it twice.
To the weekly jazz events calendar

Enter the numbers in the graphic
Enter the code in this picture

Log in

One moment, you will be redirected shortly.

or search site with Google