Home » Jazz Articles » Album Review » Circo: North/South Convergence
Circo: North/South Convergence
The CD is characterized by consistently interesting percussion, adventurous harmonies, and unpredictable, quirky melodies. The band moves effortlessly across time signatures, shifting from 4 to either 6 or 3. The melodies often feature varying pairs of instruments, which further add to the sonic interest. “Metropolis” is an especially intriguing composition, covering a lot of musical territory. Lee Tomboulian on piano and Pete Brewer on sax and flute contribute well-constructed solos in every rhythmic terrain. Both Tomboulian and bassist Brian Warthen understand that their instruments fulfill as rhythmic as well as harmonic role. Uruguay’s indigenous “condombe” rhythm, starting with three hand or stick drums and building layer upon layer, is heard at several points on the CD and forms the foundation for “Old 100th” (“Praise God from Whom All Blessings Flow”). This effectively segues into the CD’s closer, an unaccompanied vocal duet of Milton Nascimento’s beautiful “O Vendedor de Sonhos”.
This CD truly charts its own course throughout the program. It’s unique and creative, and certainly recommended.
Track Listing
Samberg; Ariel; Grace; Rhoda Ribbon; Circo TV Theme; Metropolis; Ana; Hinde Who?; Vauda
Personnel
Lee Tomboulian
Album information
Title: North/South Convergence | Year Released: 2001
Tags
PREVIOUS / NEXT
Support All About Jazz
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.






