. "Gordon chose most of the tunes, which I hadn't grown up playing and so wasn't that familiar with," Holdsworth recalls. "When he taught me one, it would be just like I was learning a piece of original music."
Holdsworth pops the top off of None Too Soon (recorded in 1996 but remastered to take advantage of 2012's digital technology) with a frantic electric guitar introduction to Coltrane's "Countdown" that screams out "Mahavishnu Orchestra
"! After he settles into a more measured approach, the sound of Holdsworth's synthesizer-guitar flows between jazz-rock, jazz and progressive rock in a single voice, like different aspects of the same musical continuum.
. "How Deep Is the Ocean" sounds nothing like the Irving Berlin ballad: Beck uses it as a framework for him and Holdsworth to rock out and jam while bass and drums toss its powerful rhythms back and forth like waves rocking the ocean. Beck's original title suite ("None Too Soon Part One / Interlude / None Too Soon Part Two") is well-considered and articulate in design and execution.
"Norwegian Wood (This Bird Has Flown)" paints an impressionistic watercolor of The Beatles
, Holdsworth's electric guitar roars back in and shreds this "Wood" to splinters. Holdsworth's meandering but profoundly emotional sound that opens "Very Early," written by Bill Evans, also suggests Metheny in a ruminative mood, while Beck spreads out a bright, dynamic acoustic piano solo like a blanket through the rest of the tune.
Holdsworth takes a bop-oriented approach to Joe Henderson's "Isotope," twisting and elongating melodic phrases like a sharp John Scofield