Many jazz fans break out in a sweat when they see the word “collective" in the name of a jazz group. One assumes the music is going to be avant-garde and free form to the point of incoherence. You'll be happy to know that that the Black Art Jazz Collective's new album Truth to Power (HighNote) is warmly stormy and soulfully engaging.
This collective is a sextet that has been around since 2014 and features topnotch musicians carrying on the tradition of black jazz of the 1960s and '70s that was both spirited and socially conscious. The album includes the following musicians on different tracks: Jeremy Pelt, Josh Evans and Wallace Roney Jr. (tp), James Burton III (tp), Wayne Escoffery (saxophones), Xavier Davis and Victor Gould (p,el p), Vincent Archer and Rashaan Carter (b) and Johnathan Blake and Mark Whitfield, Jr. (d). [
The tracks are: Black Heart; The Fabricator; Truth to Power; It's Alright; Coming of Age; Dsus; Code Switching; Soliloquy (for Sidney Poitier); Lookin' for Leroy; Blues on Stratford.
The music is hard-charging ("Truth to Power," “Dsus," “Lookin' for Leroy" and “Code Switching") and sensual ("It's Alright" and “Soliloquy for Sidney Poitier". In some places the group reminds me of Art Blakey and the Jazz Messengers with Wayne Shorter and in others the Jazz Crusaders.
Overall, the Black Art Jazz Collective has its own sound that delivers a strong message. This is jazz from a black point of view as I remember it in the 1960s and '70s, which means it's deeply felt and muscular in a poetic, meaningful way. Check it out.
JazzWax clips: Here's Lookin' for Leroy...
And here's It's Alright...
This collective is a sextet that has been around since 2014 and features topnotch musicians carrying on the tradition of black jazz of the 1960s and '70s that was both spirited and socially conscious. The album includes the following musicians on different tracks: Jeremy Pelt, Josh Evans and Wallace Roney Jr. (tp), James Burton III (tp), Wayne Escoffery (saxophones), Xavier Davis and Victor Gould (p,el p), Vincent Archer and Rashaan Carter (b) and Johnathan Blake and Mark Whitfield, Jr. (d). [
The tracks are: Black Heart; The Fabricator; Truth to Power; It's Alright; Coming of Age; Dsus; Code Switching; Soliloquy (for Sidney Poitier); Lookin' for Leroy; Blues on Stratford.
The music is hard-charging ("Truth to Power," “Dsus," “Lookin' for Leroy" and “Code Switching") and sensual ("It's Alright" and “Soliloquy for Sidney Poitier". In some places the group reminds me of Art Blakey and the Jazz Messengers with Wayne Shorter and in others the Jazz Crusaders.
Overall, the Black Art Jazz Collective has its own sound that delivers a strong message. This is jazz from a black point of view as I remember it in the 1960s and '70s, which means it's deeply felt and muscular in a poetic, meaningful way. Check it out.
JazzWax clips: Here's Lookin' for Leroy...
And here's It's Alright...
This story appears courtesy of JazzWax by Marc Myers.
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