New Music For Woodwinds/ An Interesting Breakfast Conversation by Glenn AstaritaMore articles about Space
Back in 1979 these artists formed the adventurous “Space” trio, whereas the 1981 recording New Music For Woodwinds And Voice (Disc 1), features the bands’ melding of unconventional reed instruments with Buckner’s “extended voice” techniques. Throughout, Buckner’s baritone voice stands as the equalizing factor thanks to his cleverly executed interactions with the saxophonists’ pumping lines, intuitive phraseology and symmetrically devised rhythmic encounters. On “SVSA, Scene 1,” from the 1984 LP An Interesting Breakfast Conversation (Disc 2), Buckner injects an operatic demeanor atop the saxophonists’ free jazz style improv. However, one of the key factors here, pertains to the musicians’ democratic mode of execution. Basically, no one steals the spotlight on either of these outings, as Mitchell toggles between, soprano, tenor, alto, bass saxophones and Eb clarinet, while Oshita performs on Conn-o-sax and sarrusaphone, besides working with conventional reeds. Consequently, this nicely compiled reissue offers an abundance of curiously interesting propositions, largely due to the musicians’ inspiring performances and penchant for implementing an expansive sonic palate.
Track Listing: New Music For Woodwinds And Voice (CD 1): 1. Marche 2. Textures For Trio 3. Prelude 4. Variations On Sketches From Bamboo, No. 1 & 2 -An Interesting Breakfast Conversation(CD 2): 1. An Interesting Breakfast Conversation 2. Live At The Public Theatre, I 3. SVSA, Scene 1 4. Live At The Public Theatre, II 5. Shapes 6. Phonics 7. Journeys
Personnel: Roscoe Mitchell: tenor, alto & bass saxophones, Eb clarinet
Record Label: Muteablemusic
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