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Brulee: New Beginnings (2011)

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Brulee: New Beginnings How we rate: our writers tend to review music they like within their preferred genres.

Jazz has always been about being musically clever in inventive ways. Consider only Charlie Parker
Charlie Parker
Charlie Parker
1920 - 1955
sax, alto
saying, on October 24, 1947, "I'm going to play "Embraceable You," winking, and then playing a completely different melody over the harmonic structure, and the cleverness in jazz is defined. Now, add a sense of humor to the proceedings and the whole creative affair goes from lo-fi to hi-fi at light speed.

Likewise, the water in Sonoma County obviously acts synergistically with this inventive creative impulse in jazz. Take the erstwhile jazz duo Brulee, made up of vocalist Julie Weiner and keyboardist Doug Onstad, for instance. These musicians, and their merry supporting band, play perfectly straight, standards-oriented vocal jazz, alongside the smartest medley mash-ups likely seen.

Just consider these mash-ups: Blossom Dearie
Blossom Dearie
Blossom Dearie
1926 - 2009
piano
's "Tout Doucement segueing into Fats Waller
Fats Waller
Fats Waller
1904 - 1943
piano
's "Ain't Misbehaving"; Rosemary Clooney's "Come On—A My House" rubbing up against Spencer William's "I Ain't got Nobody"; and easily the most inspired combo, Frank Sinatra
Frank Sinatra
Frank Sinatra
1915 - 1998
vocalist
's "I've Got You Under My Skin" and The Rolling Stones
Rolling Stones
Rolling Stones

band/orchestra
' "Under My Thumb." These unlikely pairings work perfectly in the hands of Weiner and Onstad, who are at no loss of a sense of humor. The Sinatra/Stones collision is deliciously ironic and head-spinningly iconic. This is truly old wine in new wine skins.

The pair's idea of standards, on the surface, looks innocent, but proves to be anything but. After (fairly) straight readings of "Skylark" and "Summertime" (straight, at least, for this pair, each demonstrating Weiner's clarion voice) Bob Dylan
Bob Dylan
Bob Dylan
b.1941
composer/conductor
's "Love Minus Zero No Limit" bobs to the surface enigmatically challenging the very definition of a jazz standard. The Dylan chestnut is updated to the 21st Century, while The Mamas and The Papas are "California Dreamin'" on GHB, before appearing on a tandem episode of Intervention.

The disc highlight, however, must be the Dinah Shore-inspired cover of The Rolling Stones' "Dead Flowers" from Sticky Fingers. The only way to properly appreciate this cover is to imagine Dinah's Place, circa 1971, the host hosting the Glimmer Twins on the program while treating them to this cover with Jerry Garcia playing pedal steel guitar.

On the technical side of things, Brulee incorporates elements of the Jacqui Sutton/Henry Darragh
Henry Darragh
Henry Darragh

vocalist
"Frontier Orchestra," appearing on Sutton's Billie & Dolly. Use of strings, pedal steel guitar, and accordion make for a slight sepia tone around the edges of this finely crafted music, like a hint of Noilly Prat in a prairie martini.


Track Listing: Miracle of Love; Perfectly Flawed; Skylark; Tout Doucement/Ain't Misbehavin'; Summertime; Dance With Me; Come On a My House/I Ain't Got Nobody; Love Minus Zero No Limit; Si C'est Un Oui (If It's Yes); I've Got You Under My Skin/Under My Thumb; Dead Flowers; New Beginnings.

Personnel: Julie Weiner: vocals; Doug Onstad: keyboards. Tom Shader: bass; Chip Trombley: percussion; Ian Scherer: guitar; Gus Garelick: violin; Dennis Hadley: accordion; David Scott: tenor sax; Jess Petty: flugelhorn; Alec Axt: percussion; Dave Zirbel: pedal steel; Daniel Celidore: oboe.

Record Label: Self Produced


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