Published since 2004
With the realization that there will always be more music coming at him than he can keep up with, John wonders why anyone would think that jazz is dead or dying.
Morgan Craft plays what is termed as “Stunt Guitar,” which really means an amalgam of effects and techniques coupled with real time samples and an almost anything goes approach that allows him to navigate everything from funky bass lines to metallic abandon and all points in between. Percussionist/clarinetist Eric Eigner uses everything from traditional percussion instruments to found objects, chains and just about anything else he can get his hands on that clangs, clatters and rattles. Together with Carter the result, five extended improvisations, could seem pointless and meandering but most often doesn’t. Instead, each member of the trio has ears big enough to follow leads, and enough personal vision to create direction.
With Carter’s saxophones, trumpet and flute coupled with Craft’s diverse guitar-ish sounds and Eigner’s multiplicity of banging, chiming and crashing instruments, there is plenty of aural diversity to create pieces that develop both texturally and thematically. From sombre landscapes to all-out funk grooves, the ensemble creates pieces that are defined by a spirit of adventure and no particular boundaries. “City Bumpkin Cadenza” begins as a dark tone poem until Eigner kicks in with a skewed funk groove over which Craft layers guitar that can only be described as Derek Bailey meets James Blood Ulmer. “Who’s Got the Battering Ram?” starts with the closest this group comes to swinging, Carter blowing over a loose drum groove; but Craft takes it for a left turn by contributing jarring chords that would sound more at home in a garage band.
Still, for all the strange cross-pollination of styles—often going on at the same time—there is a strange sense of unity. Carter, Craft and Eigner don’t fashion music that can be easily categorized, and it certainly can be an affront on the senses. Still, the group has a clear chemistry that elevates these improvisations above the usual “let’s go and see what happens” fare. Mysterium is a surprisingly likable album from a group that would be even more engaging in person.
Visit Mysterium on the web.
Track Listing: Some People Need Bibs; Charlatans Draped in Blue; City Bump Cadenza; Who's Got the Battering Ram?; Harmoniums at Midnight
Personnel: Daniel Carter (tenor/alto saxophones, trumpet, flute), Morgan Craft (stunt guitar), Eric Eigner (extended drumset, clarinet)
Style: Modern Jazz
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