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Chris Gall - Bernhard Schimpelsberger: Myriad
ByThese are organic pieces which sound grown more than composed. Gall's melodies flow as smoothly as a running stream, albeit one that still has a couple of rumbly spots here and there. They lean on Eastern mantric forms just a bit more than on Western jazz (although both are essential components), making skillful use of groove and circular repetition amidst the melody lines. Between the piano's ever-shifting dynamics and a globe-spanning range of percussion sounds from cymbals to wood blocks, there's an unexpected depth of quiet variety throughout.
While Gall's notes weave through the air like dust motes floating in sunlight, Schimpelsberger fleetly colors around and between the coasting lines, not only choosing his timing with care but keeping a keen ear on pitch as well. "Pinhole Observer" has them building steam over deep wooden thumps before cooling down with gentle high chimes; "The Wheel" finds modern minimalism crossed with old-world tradition, as Carnatic konokol rhythmic scatting underlies the circular piano patterns. In other spots such as the jaunty "Song for June" or Gall's meditative solo closer, simple ear-soothing melody takes the lead instead. Myriad lives up to its title with a wealth of colors, flavors and above all, possibilities.
Track Listing
Myriad; Seguiriya; Pinhole Observer; Interlude I; Song of June; The Wheel; Interlude II; In a Landscape; Poem on a Typewriter; New Life.
Personnel
Chris Gall
pianoBernhard Schimpelsberger
percussionAlbum information
Title: Myriad | Year Released: 2020 | Record Label: GLM Music