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Verneri Pohjola
Slowly Rolling Camera: Flow
by Geno Thackara
At first glance, it looks like an album they were always destined to make. Natural flow has been one central characteristic of Slowly Rolling Camera since the start. From their beginnings in quasi-trip-hop/jazztronica fusion, through a shift into a picturesque instrumental outfit, they have always been effortlessly fluid and comfortable with a good slow burn. They have seemed to be following a sort of elemental theme as well, with Juniper (Edition, 2018) setting down some earthy roots and Where the ...
read moreEmma Salokoski with Ilmiliekki: Joulu Joulu Jul
by Anthony Shaw
If you are looking for a novel way of approaching the December 2022 festive season, musically speaking, and are not deterred by a mixture of Nordic languages, then this album may appeal. The songs are sung in Swedish and Finnish, and without any accompanying lyric sheet an English speaker might do well to search for lyrics online. Keen observers of the Nordic jazz scene will know the band behind the album from its prominence in the mid 2000s, following victory ...
read moreIlmiliekki Quartet: Ilmiliekki Quartet
by Pat Youngspiel
When opener Three Queens" kicks off seemingly mid-motion, Verneri Pohjola, Tuomo Prättälä, Antti Lötjönen and Olavi Louhivuoria foursome going by the name of Ilmiliekki Quartetsound as though they've already been at it for a while. They're all warmed up, in complete sync and have found a common groove at which they're smoothly tugging and pulling in a united front. There is a stumbling notion to how the piano keys fall from one chord into another, constructing cadences and voicings as ...
read moreEspoo Big Band: Blood Red
by Jack Bowers
If the music on Blood Red, the eleventh album by Finland's world-class Espoo Big Band, sounds more Middle Eastern than Scandinavian, there's a reason for that. It was inspired, writes composer/arranger Mikko Hassinen, by 2006 Nobel laureate Orhan Pamuk's book, My Name Is Red, set in sixteenth-century Istanbul. The music doesn't describe or explain the story or the characters," Hassinen writes. Rather, it is a reflection of the different feelings evoked by the novel," and its lyric influences are largely ...
read moreAntti Lotjonen Quintet East: ALQE
by Friedrich Kunzmann
Bassist Antti Lötjönen is anything but a small name in the Finnish jazz cosmos. Holding down the deep frequency spectrum in some of the country's most renowned instrumental outfits, such as the electronica-infused jazz trio 3TM or the acoustic Ilmiliekki Quartet, Lötjönen has established a cunning reputation as a sideman leading up to this, his debut release as a leader with the so-called Quintet East. Accordingly high are the expectations of a musician of his caliberexpectations which are more than ...
read moreSylvain Rifflet: Troubadours
by Anthony Shaw
Sylvain Rifflet has been playing adventurous, somewhat rock-related jazz for since around 2000, and for much of the time has done so alongside a trumpeter. His emergence on the international scene in the first decade of this century was with the French quintet Rockingchair, where his co-leader was contemporary French trumpeter, Arielle Besson. They were awarded a 'Django d'Or' medal for their first album and subsequent releases have been well received. On the 2019 album Troubadour, Rifflet is ...
read morePauli Lyytinen Magnetia Orkesteri: Hypnosis
by Friedrich Kunzmann
It can be interpreted as quite the democratic statement when an album from a saxophonist is introduced with an almost two-minute long drum solo that solely focuses on the percussive qualities of the instrument. Which is exactly what drummer Mika Kallio does on the opening segment of the Finnish saxophonist Pauli Lyytinen's sophomore album with the Magnetia Orkesteri. It doesn't take a professional translator to figure out that this quartet's name has something to with magnetism and is referred to ...
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