Quick fingers, a warm sound, strong songs
and refreshing creativity - the debut of the
young Spaniard Mora on Unit prepares
pleasure all along the line. Mora's sound
concept
is based on his role models like Kurt
Rosenwinkel or Jonathan Kreisberg. You could
almost think it was the New York influence,
but the Spanish-born Spaniard has lived in
Brussels since 2014. The eleven own
compositions are guitar vehicles and make
every
guitar fool's heart beat faster. Starting with
Mora's flair for courageous solo introductions
- many of which can be found here - to his
virtuoso solos. The songs are mysterious and
complex, like "Get Used to It": Mora's fast-
paced guitar arpeggios are supported by
accents
of the band before the troupe deftly slows
down the tempo for the B-section. "Luxury" is
a
syncopated theme that evokes Monk's
"Evidence". The young band feels just as
comfortable with tracked rhythm as well as
rock grooves or ballads. In particular, pianist
Hendrik Lasure stands out as an imaginative
sound innovator and key wizard. A fresh CD
with great, dark compositions and passionate
solos. Mora promises an exciting musical
future.
Jazz’n’More Magazine by Phil Stöckli
Read more
Quick fingers, a warm sound, strong songs
and refreshing creativity - the debut of the
young Spaniard Mora on Unit prepares
pleasure all along the line. Mora's sound
concept
is based on his role models like Kurt
Rosenwinkel or Jonathan Kreisberg. You could
almost think it was the New York influence,
but the Spanish-born Spaniard has lived in
Brussels since 2014. The eleven own
compositions are guitar vehicles and make
every
guitar fool's heart beat faster. Starting with
Mora's flair for courageous solo introductions
- many of which can be found here - to his
virtuoso solos. The songs are mysterious and
complex, like "Get Used to It": Mora's fast-
paced guitar arpeggios are supported by
accents
of the band before the troupe deftly slows
down the tempo for the B-section. "Luxury" is
a
syncopated theme that evokes Monk's
"Evidence". The young band feels just as
comfortable with tracked rhythm as well as
rock grooves or ballads. In particular, pianist
Hendrik Lasure stands out as an imaginative
sound innovator and key wizard. A fresh CD
with great, dark compositions and passionate
solos. Mora promises an exciting musical
future.
Jazz’n’More Magazine by Phil Stöckli
-Beyond Words "is the name of the debut as
the leader of Spanish jazz guitarist Toni Mora.
In fact, the young musician, who studied at
the Rotterdam Conservatory and now lives in
Brussels, turns out to be an ingenious
storyteller without words. Not coincidentally,
the
album opens with a journey, "People Moving
to Mars". The tone is relaxed, Mora's lyrical,
haunting guitar sound sometimes reminiscent
of Bill Frisell. Pianist Hendrik Lasure acts
as an ideal dialogue partner, resembling Mora
in its clear lines, while Daniel Jonkers sets
accents on the drums with a hissing cymbal
and Alex Gilson forms a reliable anchor on
the bass.
A very convincing debut.
-Concerto Magazine-
—Agile fingers, a warm sound, strong songs
and refreshing creativity - the debut of the
young Spaniard Mora
on Unit prepares pleasure all along the line.
Mora's sound concept is based on his role
models like Kurt
Rosenwinkel or Jonathan Kreisberg. One
could almost think it was the New York
influence, but the one in Holland
Spaniard has been living in Brussels since
2014. The eleven original compositions are
guitar vehicles, and leave the heart
every guitar fool beat faster. Starting with
Moras flair for courageous solo introductions
- of which are
numerous find here - to his virtuoso solos.
The songs are mysterious and complex, like
"Get Used to It":
Mora's nimble guitar arpeggios are backed by
the band's accents before the band sets the
pace for the B section
deftly slowed down. "Luxury" is a syncopated
theme that evokes Monk's "Evidence". The
young band
Feels just as comfortable with tricky rhythms
as with rock grooves or ballads. Especially
pianist
Hendrik Lasure stands out as an imaginative
sound artist and keyboard wizard. A fresh CD
with great, dark
Compositions and passionate solos. Mora
promises an exciting musical future.
Phil Stockli-Jazz'n More.
Hypnote Records presents the new album of Toni Mora feat. Jean-Paul Estiévenart &
Pepa Niebla, release date May 20, 2022. When Toni Mora produced his first quartet
album, “ Beyond words, a german critic for Jazz’n more predicted “ An exiting future” for
the young guitarist with agile hands, a warm sound and a flair for daring introductions,
and virtuosic solos. These words are being proven right.
His new album “ Space Folklore” represents him well. Insatiable curiosity and seemingly
infinite virtuosity. Exploring new horizons and offering a hybrid and diverse album
drawing on the major influences of his younger years (Kurt Rosenwinkel, Jonathan
Kreisberg) but also on rock, bossa and andine music that filled his recent travels to
Brazil and Argentina. Years as a sideman with many greats (John Abercrombie, Pepa
Niebla, Jean Paul Estievenart, Dick Oats) have conferred him the understanding and
authority to make his writing a strong and accurate vessel for very diverse emotions,
from wild, frantic determination to sweet soft sadness and the lighthearted joy of the
title track. This album is a confirmation of Toni Mora’s outstanding talent as both a
guitarist and a composer, heralding good things to come for the Belgian and
international scenes.
TONI MORA COMPOSITION – GUITAR
JEAN-PAUL ESTIEVENART TRUMPET
JASEN WIEVER DOUBLE BASS
NOAM ISRAELI DRUMS
The World of Jazz, different noises.
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