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Timothy Young
Wayne Horvitz/Tucker Martine: Mylab
by Mark Corroto
For Wayne Horvitz and Tucker Martine, the pair known as Mylab, the saying “everything old is new again” should be restated as “Everything New is Old again!”
This studio experiment by the duo (with 17 of their closest friends) samples and loops folk recordings from the turn of the century to create song structures, then replaces those samples with guest musicians. They mash (part Zony) funk, blues, trip-hop, soul, folk, and African music into a roots music played ...
read moreWayne Horvitz: Sweeter Than The Day
by Glenn Astarita
Whether indulging in free jazz, grunge style jazz-rock, or swinging mainstream jazz, keyboardist Wayne Horvitz is noted for his rather stylistic compositional faculties. The artist excels when churning out lushly seductive melodic phrases, as evidenced on his inaugural 2000 recording for the Songlines record label, American Bandstand (subsequently re-titled Forever ).
With his second outing for this progressive jazz-based record label, Horvitz and his Zony Mash outfit once again opt for the all-acoustic approach. On many of ...
read moreWayne Horvitz & Zony Mash: Upper Egypt
by Mark Corroto
Wayne Horvitz has his fingers in many musical pots. From his days in New York came John Zorn’s Naked City, the N.Y. Composers Orchestra, and work with Butch Morris, Bobby Previte and Elliot Sharp, to name just a few. Since his return to Seattle nearly a decade ago, his vision has flowered into a multi-colored garden. Besides the punk-edged improvisational band PONGA, he heads Pigpen, Four In One, and has done some solo work, plus acted as producer for his ...
read moreWayne Horvitz: American Bandstand
by Glenn Astarita
Wayne Horvitz’s esteemed stature in modern music as a prolific composer-performer is undeniable. On American Bandstand, Horvitz and co. provide the listener with a diversion or intermission from previous Horvitz-“Zony Mash” releases as they tone things down a bit while pursuing refined elegance on delicately melodic and altogether stirring pieces such as “Ben’s Music” and the gently understated “Tired”. Horvitz and guitarist Timothy Young continue their enticing blend of richly stated chord voicings and sonorous unison lines on “Prepaid Funeral” ...
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