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Ralph Sutton
Ralph Sutton: In Copenhagen
by Chris Mosey
Ralph Sutton, The Last of the Whorehouse Piano Players," was 54 and in peak form when these tracks were recorded over three days during a visit to the Danish capital in 1977. It is difficult to imagine Sutton, as a boy, playing organ at the Presbyterian church in Howell, Missouri, where he grew up. From the age of nine when he first heard Fats Waller, his great love was stride piano. He modeled his style on Waller, James P. Johnson ...
read moreRalph Sutton with Michael Silva: It's So Nice It Must Be Illegal: Recorded 1988 Live in France (Volume One)
by Eric J. Iannelli
Since he was born in Hamburg, Missouri in 1922, it's apt in a way that stride pianist Ralph Sutton should have this posthumous album released on a Hamburg label--this one is the original, so to speak, located a few thousand miles away in the north of Germany. As Sutton aficionados will be quick to point out, this is not his first disc to appear on Nagel Heyer. Nor will it be the last. That Volume One" tacked promisingly on the ...
read moreRalph Sutton and Johnny Varro: A Pair of Kings
by J. Robert Bragonier
Well, Arbors Records has done it again: well recorded jazz from its glory years, played today by the people who played it then. This 2001 album documents two of the most reliable of these players, with all the sophistication, excitement, and spontaneity of a live performance. The late Ralph Sutton was born in Hamburg, Missouri in 1922 and played the piano virtually his entire life. He joined the Jack Teagarden Orchestra at age 19, a several-year gig ...
read moreRalph Sutton and Ruby Braff: R & R
by Dave Nathan
Whether it be taking the time to address all the nuances of Little Rock Getaway" by playing this Joe Sullivan classic at a much slower pace than usual, or mildly swinging and shaking Big Butter and Egg Man", or splitting the rhythm on Tain't So Honey, Taint So", the style and substance of the music created by these two giants is immediately recognizable. Only the horns of Harry Sweet" Edison and Don Fagerquist approach the lyricism of Braff. Here he ...
read moreRalph Sutton/Ruby Braff: Ralph Sutton Quartet Featuring Ruby Braff, Vol. 4
by Dave Nathan
This release is the final chapter of a four-volume undertaking by Storyville Records to put to disk live performances of stride pianist Ralph Sutton and his guests at his wife's Allene (Sunnie) Anderson's club, in the ski resort of Aspen, Colorado. For this set the headliner was cornetist Ruby Braff who must have been energized by the mountain air for he was in fine fettle.
Consummate professionalism, as well as good jazz, prevails through the more than 60 minutes in ...
read moreRemembering Ralph Sutton This Week On Riverwalk Jazz
Source:
Don Mopsick
In an encore presentation this week, Riverwalk Jazz presents pianist Ralph Sutton’s 2000 visit to The Landing in San Antonio with The Jim Cullum Jazz Band. Between tunes, Sutton talked with host David Holt about his early experiences and influences and how he came to join Jack Teagarden’s band. Longtime Jim Cullum Jazz Band pianist John Sheridan shares a story about an afternoon lesson with Sutton in San Antonio. Sutton offers rarely-heard stride piano repertoire including Fats Waller’s “Clothesline Ballet” ...
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Ralph Sutton: Consummate Stylist with Roots in Stride
Source:
All About Jazz
Ralph Sutton was a consummate stylist with a complete technical command of his instrument, an individual style, and a wide-ranging musical vocabulary which went well beyond his roots in stride piano. His characteristic style, heavily influenced by the stride pianists of the 1920s and 1930s, led by Fats Waller, James P. Johnson and Willie "The Lion" Smith, was probably best appreciated in solo performances, but he was equally at home in a group setting throughout his ...
read more
Ralph Sutton: Consummate Stylist with Roots in Stride
Source:
All About Jazz
Ralph Sutton was a consummate piano stylist with a complete technical command of his instrument, an individual style, and a wide-ranging musical vocabulary which went well beyond his roots in stride piano. His characteristic style, heavily influenced by the stride pianists of the 1920s and 1930s, led by Fats Waller, James P. Johnson and Willie "The Lion" Smith, was probably best appreciated in solo performances, but he was equally at home in a group setting throughout ...
read more