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Altin Sencalar
Hailed by Stereophile Magazine for “sound[ing] like 21st-century grandchildren of JJ Johnson and Kai Winding” (with his co-bandleader Chris Glassman) and praised by the International Trombone Associations Journal for his “virtuosity [and] melodic and harmonic mastery,” Altin Sencalar is in high demand across the country as a performer, educator, and composer.
Altin began his studies at Texas State University, where he studied with Freddie Mendoza. While attending Texas State University, he gained entrance into the thriving Austin music scene and began emerging as a new talent. Altin moved to Austin, TX, and attended the University of Texas at Austin’s Butler School of Music, where he studied under the tutelage of Andre Hayward. He became a fixture in the Austin music scene after being named a “2017 Top 10 Austin Music Awards Horn Player” and recording his debut album, “Introducing Altin Sencalar.”
After completing his bachelor’s degree from the Butler School of Music, he was given the opportunity to travel as a soloist with the University of Texas Jazz Orchestra to the Montreaux Jazz Festival, North Sea Jazz festival, and Luxembourg Gardens in Paris, France. Altin then attended Michigan State University as the Graduate Assistant to Michael Dease and Rodney Whitaker, where he pursued his Master of Music degree in Jazz Studies. While at Michigan State University, Altin co-founded “The Sencalar/Glassman Quintet,” which has been the recipient of over $3,000 in funding from the East Lansing Arts Commission and MSU Running Start. This grant gave the quintet members the opportunity to tour East Lansing elementary schools and use their knowledge of jazz to educate the young students and provide them with a new potential artistic and creative outlet.
Altin has also gained international and national recognition through numerous competitions and awards. Such honors have come from Yamaha, The American Trombone Workshop Jazz Competition solo divisions, International Trombone Association’s Jazz Solo – Carl Fontana Competition and J.J. Johnson Competition, the Kai Winding Trombone Ensemble Competition, Texas State Trombone Symposium Michael Rath Jazz Solo Competition, Downbeat Student Music Awards, and the International Tuba-Euphonium Association Rich Matteson Jazz Euphonium Competition, among others.
As an active performer, Altin has shared the stage, toured, and/or recorded with DeeDee Bridgewater, Rodney Whitaker, Christian McBride, Michael Bublé, Dafnis Prieto, Ulysses Owens Jr., The Temptations, The Four Tops, Martha Reeves, The Velvalletes, Ne-Yo, Big Sean, and many others. He has also recorded for several motion pictures including Puss in Boots: The Last Wish, My Little Pony: The Movie (2017 release), and others independent films.
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Something Blue: In The Beginning

by Michael Ambrosino
Jazz is powered by many things. Perhaps most notably, the expansive variety of independent record labels representing some of the more inspiring aspirations of the idiom. Reflecting the grit, passion and often sheer audacity to exist within an industry that makes little room for jazz, independent labels have established an expanse of music that exemplifies the very essence of the art form. For the past 30 years, Posi-Tone Records has championed this independent spirit, shining a light on a rich ...
Continue ReadingAltin Sencalar: Unleashed

by C. Andrew Hovan
Often overshadowed by other solo instruments, the trombone boasts a rich history in jazz--one so vast it could fill volumes. New Orleans, the birthplace of jazz, also gave rise to Kid Ory, a pioneer of the tailgate" style of trombone playing. In the early 1900s, bandleaders often promoted their shows by parading through town on horse-drawn wagons. Trombonists, needing space to extend their instrument's slide, would sit at the back on the open tailgate, projecting their bold, brassy sound into ...
Continue ReadingAltin Sencalar: Unleashed

by Altin Sencalar
Unleashed is an album that captures my overall headspace as an individual. This year I turned 30 years old and welcomed my firstborn child into the world, John Altin Sencalar. Two major milestones in any person's life, but especially mine this year. Unleashed represents my playing, my personality, and my overall attitude towards my career development. When thinking about this album, I take many chances that I would not have done in the past specifically playing the trombone in an ...
Continue ReadingAltin Sencalar: In Good Standing

by David A. Orthmann
In many ways, In Good Standing is a jazz aficionado's dream. Trombonist, composer, and arranger Altin Sencalar's inaugural disc as a leader for Posi-Tone encourages granular, analytical consideration. It is worthwhile to pause and think about the details of inspired performances, ponder the efficacy of Sencalar's original compositions and interpretations of gems penned by jazz giants, and contemplate the numerous examples of his band's esprit de corps. Conversely, it would be a shame to only concentrate on these things and ...
Continue ReadingSomething Blue: Personal Preference

by David A. Orthmann
Marc Free produced the second edition of Something Blue to encourage a wider audience of new listeners" to jazz by presenting a focused program of concise performances to provide maximum enjoyment." These goals are congruent with Free's trust in his artists. The eleven tracks of Personal Preference do not smack of compromise or a nebulous artistic focus. Free has assembled a band of players with ties to the label who boldly stride through the bop/hard bop/post-bop continuum, utilizing elements from ...
Continue ReadingKerry Moffit: What Goes Around Comes Around

by Richard J Salvucci
Kerry Moffit's reputation in trumpet circles preceded him long before this recording. Like so many you ought to hear this guy" types, one discounts friendships, hangs, boosters, and all the rest. Moffit, however, is as advertised." There are quite a few people with underground reputations. Moffit's should be above ground. Listening to him, you might think, ok, Tom Harrell," but then nobody is Tom Harrell except Tom Harrell. So, you are stuck for superlatives. As a player and composer, Moffit ...
Continue ReadingKerry Moffit: What Goes Around Comes Around

by Nicholas F. Mondello
The karmic reference of the subtitle of this recording gives the impression that there's a surprise lurking somewhere in trumpeter/composer/arranger Kerry Moffit's jazz bag of tricks. The album, Moffit's first release after his spending decades starring in a U.S. Air Force band, is a superb presentation of jazz classics and originals. With this fine offering the perfect circle is formed--old and new, flowing in both directions. Moffit and crew launch things tastefully vintage with a cool take ...
Continue Reading“Sencalar and Glassman sound like 21st century prodigy grand children of Jay and Kai.”
— THOMAS CONRAD; STEREOPHILE MAGAZINE AUGUST 2020 EDITION
“On a whole, it is difficult not to be impressed by Altin Sencalar’s writing and playing.”
— SCOTTA YANOW- JAZZ HISTORIAN & JOURNALIST, DOWNBEAT, JAZZTIMES, ALL ABOUT JAZZ
Music
Obsession
From: UnleashedBy Altin Sencalar
Realization
From: RealizationBy Altin Sencalar