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Marta Warelis
Pianist Marta Warelis (1986) is a vibrant performer with a strong preference for improvisation and experimentation in all genres. She continually aims for instant composing on the basis of new sounds and influences. Her work draws inspiration from music across the globe including cumbia, Angolan dance music, as well as jazz, western classical music and the various schools of free improvisation. Born and raised in Poland where she graduated with honours from WSJiMR in Wroclaw, Marta moved to Groningen in 2010 to attend the Prins Claus Conservatory. In 2014 she found her place in Amsterdam, very quickly becoming an active member of the local improvisers’ scene. Marta has appeared frequently in the Bimhuis, where in 2017 she was given a Carte Blanche in recognition of her remarkable talents
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Omawi: Marta Warelis / Onno Govaert / Wilbert De Joode: Waive
by John Sharpe
The familiar made remarkable by unfamiliar surroundings. That is the gist of Andy Moor's cover photo for Waive which shows a sun lounging woman apparently about to be engulfed by an enormous wave. It is also a suitable summary of what Omawi, the combined talents of Amsterdam- based Polish pianist Marta Warelis, and the Dutch pairing of drummer Onno Govaert and bassist Wilbert De Joode, deliver on Waive, the third album from a unit which cultivates a collective ethos.
read moreDave Douglas: Secular Psalms
by Jerome Wilson
Trumpeter Dave Douglas has worked with religious themes in the past, notably on Be Still, (Greenleaf Music, 2012), and he gets back into that realm on this wide-ranging 2022 album. The music is a suite commissioned by the city of Ghent, Belgium to commemorate the 600th anniversary of the creation of an altarpiece for its St. Bavo's Cathedral. For this occasion Douglas assembled a group of young European musicians along with cellist Tomeka Reid who, because of the pandemic, had ...
read moreMarta Warelis / Frank Rosaly / Aaron Lumley / John Dikeman: Sunday At De Ruimte
by Mark Corroto
Is it a pilgrimage or just magnetism that draws improvising artists to Amsterdam? If you've read Kevin Whitehead's book New Dutch Swing (Billboard Books, 1998), you'll understand the open atmosphere and creative jazz scene which began there in the 1960s. It was a scene sown by America's New Thing in free jazz, but also one that developed its own unique language that incorporated Duke Ellington and Thelonious Monk. Amsterdam was also the intersection between the UK scene of Derek Bailey ...
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