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Cor Fuhler
Cor Fuhler: Stengam
by John Eyles
Since John Cage drew attention to (rather than invented) prepared piano in the middle of the last century, it has steadily gained in popularity and acceptance, to the extent that most improvising pianists give it some role in their repertoire and it even makes occasional appearances in popular music.
While many pianists mainly play the keyboard straight, and dabble with using prepared piano and/or playing inside the piano, Cor Fuhler takes prepared piano to another level. Every pianist has their ...
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by Mark Corroto
Cornelis Fuhler is an Amsterdam based improviser who, as a pianist, is comfortable playing swing to John Cage. This recording from 2006 is a solo piano session made with no electronics, no overdubs, and no electronic treatments. With that in mind, he has created a series of sustained tones and notes that are remarkable in both a technical aspect and as a sonic document of sound improvisation.
A true chameleon in the experimental scene, Fuhler has recorded with ...
read moreCor Fuhler: Corkestra
by Rex Butters
The resourceful Amsterdam-based composer/performer/inventor Cor Fuhler brings his hatful of tricks to the nonet form when he leads the Corkestra. Miniature sound wonders materialize over the course of these organized improvisations. Fuhler's love of old, distinctive-sounding keyboards fits his richly textured ensemble, which includes Nora Mulder on cymbalom, the Ex's Andy Moor on guitar, Anne La Barge on flute, Tony Buck and Michael Vatcher on percussion, Ab Baars and Tobias Delius on reeds, and Wilbert de Joode on double bass. ...
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by Clifford Allen
Cor Fuhler Corkestra Data Records 2004
Though a significant number of fluxus and neo-dada artists were in fact American and American expatriates, the penchant for obtuse, referential destructuralization did not catch on in American jazz as much as it did in European improvised music. One has only to leaf through the Fluxus Codex to find Misha Mengelberg and Peter Brotzmann's names among the participants. Perhaps it is because the rebuilding of postwar ...
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