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Chris Pyne
Trevor Tomkins' Sextant: For Future Reference
by Chris May
A 2-CD collection of four sessions recorded for BBC Radio between 1980 and 1983, For Future Reference is a snapshot, just one of many snapshots that might be taken, of British jazz in the period immediately before the so-called “jazz boom" of the mid to late 1980s. That boom was marked by an acknowledgement of the dancefloor, the greater visibility of musicians with roots in the African diaspora, and a willingness, even eagerness, by those musicians to publicly affirm the ...
read moreJohn Taylor Sextet: Fragment
by Chris May
The not-for-profit Jazz In Britain label is one of the unsung heroes of British jazz. And if it is being sung, apologies, it deserves to be sung louder. While it is fitting that the musicians who make up London's new alternative jazz scene receive a massive shout out, the players who came before them, who paved the way for British jazz's current explosion, tend to get overlooked. Slowly, this is changing, and Jazz In Britain is in ...
read moreMike Gibbs: Revisiting Tanglewood 63: The Early Tapes
by Chris May
With British jazz in 2021 in better shape than ever before, record companies are being emboldened to revisit their tape libraries and reissue historic but long deleted albums. At the same time, recently formed specialist labels such as Jazz In Britain are making available club and radio broadcast recordings which have never been released before. The Rhodesian-born, Berklee-schooled orchestral-jazz composer Michael Gibbs, a truly iconic figure who continues to inspire young British musicians, is receiving attention on both fronts.
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