-like vibe that's tempered with technique and lyricism. Charette's playing not only swings but also contains a certain quirkiness that's very cool on "Computer Games," as it freely moves through a range of the B3's harmonics. Then there's the way the horns are arranged (flute, alto and tenor sax, and baritone), with brief solos dealt in good force by consummate reed players that include the likes of Joel Frahm
Charette's writing leaves room for both humor and austerity in "Fugue for Katheleen Anne/Ex Girlfriend Variations," a piece with classical and swing elements, while "Prayer For An Agnostic" contains horns that testify with proud solos as the organ croons out a lovely hymnal flavored melody. Some reggae-skanking surfaces in "The Elvira Pacifier" but the crème-de-la- crème joint is "Mode For Sean Wayland." With a nod to another New York pianist, Australian expat Sean Wayland
There's also a nod to jam band groupies in "Tambourine," with some N'awlins street dancing thrown in for good measure, showing that Charette's unusual sextet can get the party started in a variety of ways. In the end, Music for Organ Sextette circumvents the norm and that's a very cool thing.
Track Listing: Computer God; Fugue for Katheleen Anne/Ex Girlfriend Variations; Risk; The Elvira Pacifier; Equal Opportunity; Prayer For An Agnostic; Late Night TV; French Birds; Mode For Sean Wayland; Tambourine.
Personnel: Brian Charette: organ; Jochen Rueckert: drums; Jay Collins: flute; Mike DiRubbo: alto saxophone; Joel Frahm: tenor saxophone; John Ellis: bass clarinet.