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Momentum is all about bare bones, raw – down to the nitty-gritty improvisations from the Trio of pianist John Wolf Brennan, Gene Coleman who performs on bassclarinet and melodica and percussionist Christian Wolfarth. The liners offer several different interpretations of momentum or – for the moment- whether literal, philosophical or pertaining to musical form or composition. From the opening statements of “Robots Don’t Cough” the duo of Brennan who performs on the prepared piano and percussionist Wolfarth delve into fragmented themes which at times seem surreal or in some instances, unsettling. Coleman’s often industrial or mechanical sounding bassclarinet work on “Situanos” suggests movement along with the fluctuating and quite unpredictable pulse provided by Wolfarth yet the music is often colorful and absorbing -for those who are willing to concentrate. This is not casual listening by any stretch of the imagination! On “Nadir”, the Trio extend notes, employ microtonal sounds and themes, deconstruct and reassemble subtle or faint melodies while Wolfarth fabricates a soft pulse utilizing brush strokes on his snare drum. The music and group interplay heats up on “With a Knot-knowing Smile”, “Grrrvity” and “Harmolodic Outlaws” as the musicians engage in frantic conversation amid clattering percussion along with an almost cyclical sense of movement or “momentum”. It is a fair assumption that these gentlemen are feeding off one another which of course is a key component of successful improvisation yet the music and overall approach does beg for the listener’s undivided attention, otherwise it just won’t work! Momentum is musically if not intellectually demanding as if the trio were engaged in some meditative or trance like ritual yet a true sense of animated movement prevails.....Mission accomplished gentlemen! * * *
I love jazz because my father shard it with me. I was first exposed to jazz as a kid with Eddie Condon records. I met Warren Covington when I was in College and he was leading the Tommy Dorsey Band. I sat in, and very soon after that began singing with a Big Band in Cleveland
I love jazz because my father shard it with me. I was first exposed to jazz as a kid with Eddie Condon records. I met Warren Covington when I was in College and he was leading the Tommy Dorsey Band. I sat in, and very soon after that began singing with a Big Band in Cleveland. The best show I ever attended was Earl Hines when I was in middle school. My Dad took me. The first jazz record I bought was a Dinah Washington LP. My advice to new listeners is to find artists and composers that are not mainstream. Go outside the box. Please don't just purchase what they are pushing on iTunes.