For all practical purposes, multi-instrumentalist Adam Pierce is Mice Parade. Pierce plays drums, guitars, organs, vibes, and cheng. Using studio tools, he blends all these sounds together to craft groovy, percolating textures. His third disc under the Mice Parade moniker, Mokoondi, gains extra personality through the efforts of additional musicians on saxophone, vibes, violin, and voice. However, it's Pierce's personal vision which organizes the music and sets the tone. Multiply-overdubbed performances form a thick, pulsing collage of soundalways moving forward, but never in a hurry to get there. The combination of fluid improvisation with studio textures helps define Mokoondi as post-rock, though one has the sense that Pierce is not interested in definitions. His work on the cheng (a Chinese harp akin to a zither), for example, eludes categorization. At times percussive, at others melodic, he artfully stretches the possibilities (and the strings) of this unusual instrument.
Notably, Mice Parade defies the most common pitfall associated with studio-enhanced improvisation: perfectionism. Pierce prefers to take the notes as they come, building them into an organic wholerather than getting everything "just right." As a result, Mokoondi has an authentic, home-made flavor. One can hear the personal character of each cymbal hit or pluck of the chengmicrotonal variation, attack, and all. The vocals are not always in perfect tune, but it doesn't really matter. The groove maintains over-riding authority on Mokoondi, though all the parts that fit together to form it retain their own personal character. Occasional improvised drum duets offer a hint at the possibilities available to the expanded Mice Parade in live performance, where post-rock drumming master Doug Scharin joins forces with Pierce to deliver polyrhythmic energy.
Track Listing: Open Air Dance; Into the Freedom World; Circle 1; Pursuant to the Vibe; Mokoondi; Ramda's Focus; Circle 2; The Castaway Team; Man on the Beach in Brasil.
Personnel: Adam Pierce: drums, cheng, moog, rhodes, guitars, synth, vibes, saxophone, cymbalom, dulcimer, marimbas; Carlo Cennamo: saxophone; Dorothea Tachler: violin, voice; Doug Scharin: drum and guitar loops; Marc Wolf: guitar; Dylan Cristy: vibes; Herman Wright: saxophone; Helen Ann Shea: gourd rattle, guitar; Tyler Pistilli: vibes.
Why do I love jazz? Well, depending on what you mean by jazz, I can send an answer in any number of directions. Briefly, I was exposed to this crazy music as a little boy, my dad good friends with the local music store, where he bought sheet music to play from his baby grand
Why do I love jazz? Well, depending on what you mean by jazz, I can send an answer in any number of directions. Briefly, I was exposed to this crazy music as a little boy, my dad good friends with the local music store, where he bought sheet music to play from his baby grand. Their massive record collection, my parents taking me to concerts and clubs (only one of five kids to do so), the Magnavox furniture stereo/radio ... it all added up. It was complex, emotional music. And it had rhythm! I drummed and followed the music through the '60s even as I enjoyed the new musics of my generation.
Along with side-trips to other musicians and music, it's been one hell of a pony ride ever since.