An adjunct to the DVD release of Hear My Train A Comin', an installment of the PBS 'American Masters' series, Miami Pop Festival captures the original Jimi Hendrix Experience flush with success and the rightful expectation of more to come. At the time of this May 1968 appearance, the threesome was recording Electric Ladyland (Reprise, 1968) free of the ennui and creative/personal conflict that subsequently fractured the solid bond so evident in their musicianship here. (Or perhaps the nascent creative friction manifest itself positively on stage).
Containing the whole of the trio's evening set (and two selections from the afternoon performance) at a festival co-produced by Michael Lang, (who would go on to oversee 1969's Woodstock event), the cd is also notable for an early appearance of what would become a staple of the iconic guitarist's live sets for the remainder of his career: "Hear My Train A Comin'" emanates anticipation and foreboding in such a way that Hendrix' emotional investment is unmistakable in both the song and the performance.
The debut performance of "Tax Free" takes place on Miami Pop Festival as well, and while it's a slight tune to be sure, it remains significant not just as one of the rare covers the band adopted, but because this near-nine minute instrumental rendition offered a launching point for extended improvisation. The initial song of the set, "Hey Joe," is another of those non- originals-actually the first JHE single released in England in 1966- but the trio gives the tune an exploratory reading, phasing into it via a dissonant instrumental intro.
Apart from the aforementioned 'new' numbers, the eight- song setlist contained no surprises, at least on the surface, but Hendrix and Mitchell's unusually complementary bond with bassist Noel Redding was perhaps never tighter than at this point in the existence of the Experience. Though the drummer and guitarist play with comparable complexity during a slashing take on "Fire," all three sound equally prominent in the Eddie Kramer mix of "Red House," rendering this slow blues the high point of the disc: the Experience doesn't just play the changes, but engages in a savage romp mid-take that, in a different context, might well define British blues of the period.
The inclusion of two excerpts from the afternoon show at the rain- shortened festival is not random filler merely meant to stretch the cd to approximately an hour's playing time. Rather, these staples of the Jimi Hendrix Experience repertoire become purposeful in the context of Miami Pop Festival, the two fairly abbreviated numbers reaffirming the synchrony within the preceding playing.
Track Listing: Introduction: Hey Joe; Foxey Lady; Tax Free; Fire; Hear My Train A Comin
; I Don’t Live
Today; Red House; Purple Haze; Fire; Foxey Lady.
Why do I love jazz? Well, depending on what you mean by jazz, I can send an answer in any number of directions. Briefly, I was exposed to this crazy music as a little boy, my dad good friends with the local music store, where he bought sheet music to play from his baby grand
Why do I love jazz? Well, depending on what you mean by jazz, I can send an answer in any number of directions. Briefly, I was exposed to this crazy music as a little boy, my dad good friends with the local music store, where he bought sheet music to play from his baby grand. Their massive record collection, my parents taking me to concerts and clubs (only one of five kids to do so), the Magnavox furniture stereo/radio ... it all added up. It was complex, emotional music. And it had rhythm! I drummed and followed the music through the '60s even as I enjoyed the new musics of my generation.
Along with side-trips to other musicians and music, it's been one hell of a pony ride ever since.