Published since 1997
Many of Veryan Weston's phrases are breath length, suggesting an influence from the saxophone. His lines are seldom dissonant although he moves freely among tonal centers; for all the percussive edge they can muster, they never lose a strong and glasslike beauty. This beauty is much augmented by the incredible tensile strength of John Edwards' bass, which can move from a percussive Barry Guy-ish attack to the most delicate of singing, ringing, glowing lines - and back again. Along the long trip of "Longer Piece" he bows behind the most delicate of Weston lines with a rare animation. The sheer power of his playing around the middle of "Longer Piece" is enough to stand hair on end and get the blood flowing again. Percussionist Mark Sanders, meanwhile, is just as powerful, but his wallop lacks not for dynamic variation and subtlety of placement.
These three pieces, ranging from almost eleven ("Shorter Piece") to almost thirty-six minutes ("Longer Piece") are exercises in variety, as each contain tremendous dynamic, rhythmic, and textural variations. Anyone who thinks free improvisation is just an excuse for banging and screaming should sample the infinite and ineffable landscapes of this disc.
Track listing: Longer Piece / Shorter Piece / Slightly Longer Than Shorter Piece.
Veryan Weston, p; John Edwards, b; Mark Sanders, perc.
Record Label: Emanem
Style: Modern Jazz
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