In conversation with the immensely talented and engaging pianist Mark Soskin, the word "challenge" arises periodically. It's used in a good sense. Simply put, "I like to be able to be handed a challenge and then rise to it," he said in conversation, earlier in the summer of 2010.
Diversity is also something he likes. The evidence is in the myriad of projects with which he has involved himself since leaving a golden gig with Sonny Rollins
years ago, after holding the piano chair in the Saxophone Colossus' band for about a decade. That variety includes solo concerts, a recording contract with Kind of Blue Records, where has examined the attributes of the jazz quartet, duet projects of varying kinds, and recently a project with singer Roseanna Vitro
that examines the music of Randy Newman
.Man Behind the Curtain
(Kind of Blue, 2009), is his 10th as a leader, and holds up to his high standardsgreat energy and great beauty with outstanding empathy among the players, this time featuring Ravi Coltrane
on saxophone. The quality of Soskin's work is consistently high. He's also the arranger, as well as pianist, for the Randy Newman project that Vitro will be releasing as a recording before too long, and there is also touring involved.
Soskin, who also teaches, has irons in a lot of fires, moving from challenge to challenge. And it was a thrill for the pianist to go back and play with Rollins, whom he teamed with in the 1980s, to make more music at a concert in Seattle. It wasn't a look back, however. Playing with Rollins is still a huge test.
"The gig was fantastic. It was really nice to connect with Sonny again," says Soskin. It had been a gap of some 13 years since Soskin performed with the saxophonist. Rollins sent him a set list with certain keys, "but it's always interesting being on the gig because you always feel like anything can happen." He did his homework on the music and was thrilled with the outcome. And he continues to be amazed by the 80 year-old jazz icon, who is still explosive.
"When we spoke, I said, 'Sonny, you're an inspiration.' This was about 11:30 at night. And he said, 'Right at this moment, I'm practicing.' That's pretty cool. It makes us younger guys inspired. And he came out there on the gig burning. I hope not only am I living by that age, but playing."
"It was great," adds Soskin. "I didn't really see him until we were up on the stage during sound checks. The sound checks are usually us just playing. We almost played up to the performance. The feeling was really great. I said to him at one point, 'It's been a while.' He said, 'Mark, don't think like that. It seems like it was just yesterday.' That was very cool. We have a long past, as you know. I was with him for a long time. That was very, very nice."
Very, very nice is Man Behind the Curtain
, an album Soskin is justly proud of. It features original compositionshe has a great feel for writing interesting tunes that are melodic and engagingand a few lesser-known songs by the likes of Lerner and Lowe, Kurt Weill and others. Ravi Coltrane, a superb player, is a striking presence.
"The immediate thing that gets me about Ravi's playing is his sound," Soskin says. "He's got a really beautiful sound. His approach is very organic. It's not so much a studied approach. It's human. He's got his own voice, which is a great thing. Before I recorded with him, I checked out his recordings. I went to hear him. We hooked up really nicely. I love the way he plays the melodies. And his approach to improvisation is organic. I really like that. I like the blend we got. A lot of times, I would double lines and things like that. Really nice."
Coming to the music in the shadow of a legendary father could be intimidating, and therefore problematic, but not for Coltrane. "He handles it well, and he was smart enough to forge his own thing. That I really appreciate. He's a nice guyvery easy to be with. He was very serious about the music I was doing. We just had one short band rehearsal, but we had a couple of live gigs in New York before the recording. Also, me and him got together and just played duo with the tunes. We would bounce ideas off one another. I like how the results came out. I'm happy about that."
The band cooks hard ("Invitation," "Heather on the Hill"), or calms it down nicely ( "For All We Know," "Heaven's Sake"). Soskin has a strong musical kinship with rhythm mates Bill Stewart
on drums and Jay Anderson
"These are some of my favorite guys. I played with Bill Stewart a bunch of different times. I love what he brings to the table. All of these guys fit into my style very well. My big thing is interaction. I like what they bring. My friend Jay Anderson, I've been playing with forever. He's got a big fat sound. Love what he does. These guys are top- notch and fun to play with," says Soskin.