Amazon.com Widgets

Louis Sclavis: Lost on the Way (2009)

By Published: | 2,707 views
Louis Sclavis: Lost on the Way How we rate: our writers tend to review music they like within their preferred genres.

French multi-reedist Louis Sclavis has involved himself in many modes of musical expression during a career which has spanned over 30 years, from free to folk to Baroque, and into the contemporary realm. His jazz perspective is European, which perhaps means having something of a chamber approach, and not much rooting in the blues—not unusual for an artist recording on the German-based ECM label.

On Lost on the Way, Sclavis and his quintet turn to the Greek writer Homer for a musical journey that begins with a gypsy atmosphere on "De Charybde en Scylla" and winds its way, ten tunes later, to a big groove on a deeply rock-tinged, seriously twenty-first century sound on "Des bruits à tisser."

Sclavis' lineup for the set seems, on the surface, a standard jazz grouping: two reeds, bass/guitar/drums. But Sclavis and company don't pretend to be playing anything close to standard jazz. Instead, it is well-crafted and personal music from an artist unafraid to explore fresh sonic ground.

On the web Sclavis tends to be tagged as a free player. While Lost on the Way certainly encompasses a good deal of improvisation, it also sounds quite structured beneath that freedom. The title tune hits a groove, with Matthieu Metzger and Sclavis' unison reed work melding into a modern electronica mood—in spite of the acoustic nature of the instruments—before the leader breaks free on bass clarinet, sounding a bit like Eric Dolphy
Eric Dolphy
Eric Dolphy
1928 - 1964
reeds
fronting the seismic trudge of a hard charging rock combo. And when Metzger gets his turn on soprano sax, the energy level cranks up to an even higher level.

"Bain d'or" changes gears, giving off a Celtic vibe, while "Le sommeil des sirènes" opens with François Merville's subtle and very distinct drum ruminations before the alto sax searches and wanders, leading into a ramped up rhythm-team foray, with guitarist Maxime Delpierre giving a frantic, wailing, electro-Banshee voice to Homer's enticing sirens.

Sclavis is the leader, but the strength of his band is the key to the success here, with an adaptive rhythm section fronted by Merville, who can shred with an abandon steeped in finesse, and then move without a beat missed into nuanced comps and accompaniments.

An outstanding set, full of energy, adventure and surprise.

Track Listing: De Charybde en Scylla; La premiére île; Lost on the Way; Bain d'or; Le sommeil des sirènes; L'heure des songes; Aboard Ulysses's Boat; Les doutes du cyclope; Un vent noir; The Last Island; Des bruits à tisser; L'absence.

Personnel: Louis Sclavis: clarinets, soprano saxophone; Matthieu Metzger: soprano and alto saxophones; Maxime Delpierre: guitar; Olivier Lété: bass; François Merville: drums.

Record Label: ECM Records

Style: Modern Jazz


comments powered by Disqus
Support All About Jazz Through Amazon

Weekly Giveaways

Mort Weiss

Mort Weiss

About | Enter

Rotem Sivan

Rotem Sivan

About | Enter

Michael Carvin

Michael Carvin

About | Enter

Steve Wilson/Lewis Nash

Steve Wilson/Lewis Nash

About | Enter

Sponsor: ECM Records | BUY NOW

Enter it twice.
To the weekly jazz events calendar

Enter the numbers in the graphic
Enter the code in this picture

Log in

One moment, you will be redirected shortly.

A musician was found with a matching name

Name:

Birthday:

Instrument:

Is this you?