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George Schuller's Circle Wide: Listen Both Ways (2012)

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George Schuller's Circle Wide: Listen Both Ways How we rate: our writers tend to review music they like within their preferred genres.

Listen Both Ways is the first studio recording by drummer George Schuller's longstanding Circle Wide quintet to concentrate primarily on his original compositions. The group's previous Playscape releases, 2003's Round 'Bout Now and 2008's Like Before, Somewhat After, paid homage to the seminal efforts of famous post-war bandleaders—trumpeter Miles Davis
Miles Davis
Miles Davis
1926 - 1991
trumpet
' Second Great Quintet on the former and pianist Keith Jarrett
Keith Jarrett
Keith Jarrett
b.1945
piano
's American Quartet on the latter.

Six of the album's eight tunes are staples of the unit's live sets, with nuanced arrangements of pianist Carla Bley
Carla Bley
Carla Bley
b.1938
piano
's serene ballad "Jesus Maria" and under-sung writer Margo Guryan's Ornettish "Edwin" rounding out the program. The corkscrew melody of the episodic travelogue "A Map Would Help" evokes a similar Coleman-esque spirit, although the majority of Schuller's post-bop themes continue to find stylistic accord in the ground breaking electro-acoustic territory his band previously explored in its interpretations of Davis and Jarrett's oeuvre.

Circle Wide has been Schuller's primary ensemble for the past thirteen years, with the current lineup together since 2009. Tenor saxophonist Peter Apfelbaum
Peter Apfelbaum
Peter Apfelbaum
b.1960
various
brings robust lyricism and throaty expressionism to the proceedings, occasionally tempering his fervent excursions with delicate ruminations on melodica, as highlighted on the gorgeous "Jesus Maria." Sharing a penchant for scintillating metallic timbres, guitarist Brad Shepik
Brad Shepik
Brad Shepik

guitar
and vibraphonist Tom Beckham
Tom Beckham
Tom Beckham
b.1968
vibraphone
complement each other perfectly. Shepik's chameleonic approach veers between the searing arpeggios of "Store Without A Name" and the glassy fretwork that adorns the languid "Newtoon," which simultaneously spotlights Beckham's effervescent contributions. Dave Ambrosio's pliant bass lines underpin the leader's cascading rhythms, providing melodious lift to an array of ebullient motifs, underscored by modulating time signatures and atmospheric rubato interludes.

From the optimistic folk forms of "Could This Be The Year?" and the menacing blues abstraction "Better Than Prozac" to the angular hard bop swinger "Bed Head," Circle Wide expounds on a diverse selection of works that embody the same vanguard spirit espoused by visionary fusion innovators like pianist Paul Bley
Paul Bley
Paul Bley
b.1932
piano
, vibraphonist Gary Burton
Gary Burton
Gary Burton
b.1943
vibraphone
and guitarist Larry Coryell
Larry Coryell
Larry Coryell
b.1943
guitar
. Expertly integrating freewheeling interplay with sophisticated charts, Listen Both Ways is the group's most definitive statement, and Schuller's most engaging session as a leader to date.

Track Listing: Could This Be The Year?; Store Without A Name; Better Than Prozac; Edwin; Jesus Maria; A Map Would Help; Newtoon; Bed Head.

Personnel: Peter Apfelbaum: tenor saxophone and melodica; Brad Shepik: guitar; Tom Beckham: vibraphone; Dave Ambrosio: bass; George Schuller: drums and bells.

Record Label: Playscape Recordings

Style: Modern Jazz


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