Amazon.com Widgets

Bill Mays Inventions Trio: Life's a Movie (2013)

By Published: | 2,918 views
Bill Mays Inventions Trio: Life's a Movie How we rate: our writers tend to review music they like within their preferred genres.

For pianist Bill Mays
Bill Mays
Bill Mays
b.1944
piano
' Inventions Trio, the third time is indeed a charm, as it would be difficult to find music more charming than that performed by Mays, trumpeter Marvin Stamm
Marvin Stamm
Marvin Stamm
b.1939
trumpet
and cellist Alisa Horn on Life's a Movie, the trio's third album together (and first for Chiaroscuro Records). This is "chamber jazz" of the highest order, with the classically trained Horn complementing perfectly the jazz-inflected sorties of Mays and Stamm in a program whose beauty is equaled only by its earnestness.

The centerpiece is Mays' four-part suite Life's a Movie: 4 Cues in Search of a Film, which follows a four-part homage to Bill Evans
Bill Evans
Bill Evans
1929 - 1980
piano
and precedes Juaquin Rodrigo's "Concierto de Aranjuez," Chick Corea
Chick Corea
Chick Corea
b.1941
piano
's sunny "Spain" (based in part on Rodrigo's theme) and a third suite, this one a salute to Thelonious Monk
Thelonious Monk
Thelonious Monk
1917 - 1982
piano
. Mays comes by his "movie cues" naturally, having worked in Hollywood studios for more than a decade, during which time he appeared on hundreds of soundtracks. The trio plays it seamlessly, with Mays' muscular piano setting the tone, Stamm and Horn adding color and nuance wherever needed. The suite is comprised of a melodious "Main Title," haunting "Love Theme Bittersweet," high-spirited (and clamorous) "Chase" and rhythmically opulent "End Credits."

Mays performs Evans' "My Bells" by himself, and is joined by the others on "Interplay," "Turn Out the Stars" and the endearing "Waltz for Debby." Stamm, always a pleasure to hear, is at his improvisational best on one of the more arduous numbers, Monk's "Trinkle Tinkle," as well as on the fast-moving "Spain." He switches to muted trumpet on the opening passages of the easygoing "Pannonica," then delivers a brief but cogent statement (in front of Mays' thundering piano) on "Straight, No Chaser." Horn, who we're told has learned to improvise and loves the challenge, has an extended solo here, sounding much like a member of France's storied Hot Club. Some of her best work comes when she plucks the cello like a bass, lending Mays and Stamm unwavering support. Her arco cello is especially inspiring on "Concierto de Aranjuez."

This is a trio whose members clearly enjoy what they are doing, in all likelihood because they do it so well and love being together. Their camaraderie is readily apparent on Life's a Movie, as is the expertise of three musicians who seem able in effect to read each other's minds. The lone caveat: Mays' two-fisted piano is sometimes too prominent in the mix. Aside from that, about as persuasive as trio jazz can be.

Track Listing: Homage to Bill Evans (My Bells / Interplay / Turn Out the Stars / Waltz for Debby); Life’s a Movie: 4 Cues in Search of a Film (Main Title / Love Theme Bittersweet / Chase / End Credits); Concierto de Aranjuez; Monk Tribute (Trinkle Tinkle / Pannonica / Straight, No Chaser).

Personnel: Bill Mays: piano; Marvin Stamm: trumpet, flugelhorn; Alisa Horn: cello.

Record Label: Chiaroscuro Records

Style: Straight-ahead/Mainstream


comments powered by Disqus
Search
Support All About Jazz Through Amazon

Weekly Giveaways

Mark Elf

Mark Elf

About | Enter

Stefano Bollani

Stefano Bollani

About | Enter

Carmen Lundy

Carmen Lundy

About | Enter

Wadada Leo Smith

Wadada Leo Smith

About | Enter

Bandzoogle: GET STARTED TODAY - FREE TRIAL

Enter it twice.
To the weekly jazz events calendar

Enter the numbers in the graphic
Enter the code in this picture

Log in

One moment, you will be redirected shortly.

Article Search