The eleven solo pieces presented here testify that indeed her right hand knows exactly what her left hand is doing. The music (how music is composed vs. improvised?) is bright, organized, and nourishing. The disc opens with "Red Lands," dedicated, as the entire record is, to painter Don Reich. She builds upon a lament, ringing notes over her steady bass line that draws attention to her ability to marshal her thoughts both in an orderly manner, and with outward flights of imagination. She can pound-out left hand corpulent notes ("Piano Music"), while simultaneously twinkling energized runs with her right. Melford's facility is on display here, not for egotism, but in the service of the compositions. She contrasts the shimmer of "Barcelona" with the darker, ruminative"Moonless Night." The pianist can build a dense composition like "Curtain," fashioning a wall of thunderous chords that resolve themselves into the tiniest whisper.
Melford is in total control here in command of the piano, the music, and her self expression.
Track Listing: Red Land (For Don Reich); Piano Music; Japanese Music; Attic; Curtain;
Barcelona; Sagrada Family; Still Life.