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Dizzy Gillespie Quintet: Legends Live (2012)

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Dizzy Gillespie Quintet: Legends Live How we rate: our writers tend to review music they like within their preferred genres.

The Jazzhaus label has, on its hands, an archive of some 1600 audio and more than 350 video recordings taken from live radio and T.V. broadcasts in post-World War II Germany, featuring some of the most vital jazz artists of the time. These recordings are now being released. The first batch of the Legends Live series included sets by drummer Art Blakey
Art Blakey
Art Blakey
1919 - 1990
drums
and the Jazz Messengers, alto saxophonist Cannonball Adderley, and baritone saxophonist Gerry Mulligan
Gerry Mulligan
Gerry Mulligan
1927 - 1996
sax, baritone
. The second wave of releases is headlined by the Dizzy Gillespie
Dizzy Gillespie
Dizzy Gillespie
1917 - 1993
trumpet
Quintet.

Trumpeter Gillespie was one of the bona fide fathers of bebop, having laid down a series of classic quintet recordings with alto saxophonist Charlie Parker
Charlie Parker
Charlie Parker
1920 - 1955
sax, alto
in the late 1940s. A pioneer in introducing the Afro-Cuban sound to American audiences with his big band outings, and he was also an artist who was interested in lifting jazz from the bar room to the concert hall with records like Gillespiana (Verve Records, 1961) and Perceptions (Verve Records, 1961). In the same year these two ambitious projects were released, Gillespie travelled with his quintet to the south of Germany, recording in Liederhalle Stuttgart and Kongresshalle Frankfurt to create the music found on his Legends Live offering.

While Gillespie may have regarded his orchestral work as his greatest offerings, the economics of traveling with and maintaining a big band was prohibitive; and 1961 found the trumpet legend on tour in Europe—where jazz, especially at the time, enjoyed a greater appreciation than it did in the States—with an outstanding quintet anchored by pianist Lalo Schifrin
Lalo Schifrin
Lalo Schifrin
b.1932
band/orchestra
, the young Argentinean who had written the music of Gillespiana.

Gillespie, an artist who wanted his music to be taken seriously, was also a performer who didn't mind having a good time. The set laid down in these two concerts had a very engaging looseness, starting right off with composer/bandleader/pianist Duke Ellington
Duke Ellington
Duke Ellington
1899 - 1974
piano
's 1928 tune "The Mooche," done over sixteen-plus minutes with a freewheeling bebop swing, features Gillespie and saxophonist Leo Wright's relaxed-but- spirited blowing over bassist Bob Cunningham's unwavering walk and drummer Mel Louis' rock steady beat.

Gillespie's classic "Con Alma" shows up twice: once for each venue. As they did on "The Mooche," the players stretch out, with lots of solo room for trumpet, sax and piano. The standard "Willow Weep for Me" gives Wright a chance to show off his flute chops, and Gillespie's "Oop-Shoo-Be-Doo-Be" showcases the leader goofing on a scat groove.

The jewel of the collection is a fifteen-minute take on Gillespie's "Kush." With the leader muted, and saxophonist Wright burning, the band explores a North African atmosphere, a clamorous marketplace perhaps, with pianist Schifrin adding an exotic, vibraphone- like chiming to the sound, leading into the closer, the second (and more zesty) take on Gillespie's "Con Alma," closing out a superb live recording by the Dizzy Gillespie Quintet.

Track Listing: The Mooche; Con Alma; Willow Weep for Me; Oops-Shoo-Be-Doo-Be; I Can't Get Started; Kush; Con Alma (alternate take).

Personnel: Dizzy Gillespie: trumpet; Leo Wright: alto saxophone, flute; Lalo Schifrin: piano; Bob Cunningham: bass; Mel Lewis: drums.

Record Label: JazzHausMusik

Style: Straight-ahead/Mainstream


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