Published since 1998
Contrary to occasionally voiced queries, Derek is not the Beatles' former publicist.
Though a product of Smoker’s compositional pen, “Arcing” is clearly Filiano’s show and the bassist cleaves out a harmonic center with his bow that is buttressed by thoughtful commentary from the horns and Grassi’s subtle accents. “Monk Key Business” returns the group to a more volatile sound space and Magnuson marks the shift by tearing off some flamboyant passages on tenor, delving into his horn’s deeper register recesses with ardent gusto. Bringing up the rear Filiano’s “Tanagram” is a fitting send off, filled with ambiguity and wide-reaching referents ranging from the classical phrasing of the composer’s bow to the ‘little instruments’ patter that consistently radiates from Grassi’s kit.
CIMP quartet dates with drums and bass have sometimes garnered a bad rap among critics in terms of sound reproduction and while there are moments where the minimalist engineering leaves a little to be desired on my low-end system, any grousing seems less applicable here than in other instances. Fortunately there’s a convenient solution for listeners concerned with the relative audibility of the instruments. Slipping on a set of headphones in order to better capture all the nuances usually works like a charm and any lingering apprehension should not preclude the investigation of this disc or its earlier counterpart.
CIMP on the web: http://www.cadencebuilding.com
Track Listing: Gwendolyn the Cat/ Hold On, Hold On/ Arcing/ Barefoot and Bassist/ Monk Key Business.
Personnel: Paul Smoker- trumpet; Bob Magnuson- tenor & alto saxophones; Ken Filiano- bass; Lou Grassi- drums. Recorded: March 6 & 7 2000, Rossie, NY.
Record Label: CIMP Records
Style: Modern Jazz
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