, he uses the tradition as the architecture for the anatomy of a modern player. Even his take on "Crepuscule With Nellie," the classic Monk expression of hesitation and suspension, is delivered as a tender blues. More importantly, he delivers it without the cartoon clichéd dawdling.
Wilner's approach is to brighten each piece with the energy of his playing. Like his hero, Willie "The Lion" Smith
chase, and then are chased by, the exuberance of Wilner's piano.
He is also quite comfortable carrying the day unaccompanied. As with his previous solo recording Live At Smalls (Smalls Live, 2011), Wilner performs several solo pieces here. The old Carol Burnett sign off tune "I'm So Glad We Had This Time Together" is rationed with the appropriate melancholy, and Harold Arlen's "If I Only Had A Brain" bounces and frolics with a campy stride fitting the dopey scarecrow.
The trio performs Irving Berlin's "Always," raising the bandstand much like early Bill Evans
would, interlacing a subtle and intellectual swing with a quasi-classical approach. The highlights of this disc might be Scott Joplin's "Solace" and Bernice Petkere's "Lullaby Of The Leaves." Both tracks beg for comparison to master musician Bebo Valdes
' playing. With "Solace," Wilner mixes his ragtime approach with Valdes' Cuban-folk take on American jazz.
There is much rejoicing to be hador heardhere.
Track Listing: La Tendresse; If I Only Had A Brain; Solace; Silver Cord; Always; Lullaby Of The Leaves; After You've Gone; Le Sucrier Velours; Little Girl Blue; Crepuscule With Nellie; I'm So Glad We Had This Time Together; Happy Ending.