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Kaivalya Volume 1 / Live at the 'Bottle' Fest
In fact, both of these CDs start with intense sax/drum duets (Peter Brötzmann on alto, with a sound so thick it almost sounds like it was a tenor), as if they were consciously channeling those versions of "Impressions or "Leo. Marc Edwards is known as a free drummer who's worked with Cecil Taylor, but Nasheet Waits is known more for his gigs with Andrew Hill, Jason Moran and Antonio Hart, so it's interesting to hear this drummer play in this freer context (with one of the icons of European free improvisation, no less).
Paul Flaherty/Marc Edwards
Kaivalya Volume 1
Cadence Jazz
2005
On Kaivalya Volume 1 saxophonist Paul Flaherty and drummer Edwards continue in the spirit of Interstellar Space but add a few twists and turns of their own. "Dark Desert starts off with intense energy, both musicians with impressive control not only in their physical approach on their respective instruments but also in their sonic focus. Ideas are followed through on, as these musicians are definitely on the same page. On "Amrita (Soma), Edwards sets up a kind of bolero/rumba feel and Flaherty changes his approach. So many times when a drummer sets up a groove and a musician (say a saxophonist) plays over the groove in such a way, you get the impression that he (or she) is doing the exact same thing he would do without the groovein other words not really listening to the drummer. It's clear that Flaherty respects Edwards and they are musically communicating to bring the listener on a journey. The resultant sound is to the point, not just ego-tripping or physically exercising, but great spontaneous composition.
Peter Brotzmann/Nasheet Waits
Live at the 'Bottle' Fest
Brö/Eremite
2005
The Brötzmann/Waits duo was recorded live at Chicago's Empty Bottle in front of what sounds like a very appreciative audience. Like Kaivalya, this recording begins with intense energy. "Nr. 2, however starts off very soft, with Brötzmann on clarinet, and paradoxically these moments dramatically stand out. It's a risk to play really soft when you are known for being an energetic fireball. The risk pays off. Waits is surprising in the intensity and commitment of his free playing, but when he does hit a groove, Brötzmann is a little less capable of playing ball in Waits' court. It's a small criticism; Brötzmann does give space to Waits and his use of clarinet and tarogato make this disc sonically rich in texture.
Both recordings are excellent, but I favor the underdogs, Flaherty and Edwards, because of recording quality and conceptual focus.
Tracks and Personnel
Kaivalya Volume 1
Tracks: Dark Desert; Small Doorway; Amrita(Soma); Pillows for Mummies; Janagama; Mahabharasta.
Personnel: Paul Flaherty: alto and tenor saxophone; Marc Edwards: drums.
Live at the 'Bottle' Fest
Tracks: Nr.1 alto.drums; Nr.2 cl-tenor/drums; Nr.3 tarogato/drums; Nr.4 alto/drums
Personnel: Peter Brotzman: alto and tenor saxophone, clarinet, tarogato; Nasheet Waits: drums.
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