's boundary-pushing Hieroglyphics Ensemble, but a common denominator exists in his strongest work with each one: Bernard's best is always rooted in the groove. He has an no-fuss way of establishing and/or inhabiting the rhythmic currents of a song and he puts that skill to good use, once again, on Just Like Downtown.
This quartet date finds Bernard fronting a highly capableand flexiblefoursome. Together, they tackle original soul jazz ("Dime Store Thriller"), Led Zeppelin ("Dancing Days") and Richard Rodgers ("Bali Hai"). Some pieces are brisk and driving ("Sweet Spot") and others like to linger for a while ("Little Hand"), as Bernard and company simply let the music float on by. Most of these musical offerings get to the point right away, but a sense of mystery is occasionally in the air as things coalesce ("Bali Hai") or blow slowly in the Frisell-ian breeze ("P.M. Gone").
Bernard's buddies deserve a good deal of credit for bringing his music to life. They sound good when working from the same playbook as the leader ("Dime Store Thriller"), but they sound great when one person's contributions are thrown into sharp relief; John Ellis