on "Asi Es La Vida." Front and center, the congas are and masterfully played but the disc's pace remains measuredup-tempo but never overwhelmingabout solid groove rather than frenetic, hell-bent thundering drive.
The band features several Santamaria alumni, opening with flutist Hubert Laws
, who blows a terrific extended solo over the infectious conga beat of "Bacoso," showing why he so richly deserves his NEA Jazz Master title. Violinist Dayren Santamariaproviding one of the album's signature instrumental sounds immediately follows with an with an equally exceptional improvisation. Violin is a triple threat on most tracks; in addition to soloing, it's used as a romantic background texture behind Adonis Puentes
provide further highlights. Both are clearly well-versed in this music's tradition, while also blending elements of modern jazz into their solos. Hernandez adds a hint of discord that sounds thoroughly up-to-date on "Que Maravillosa," while Almario is featured on "Bluchanga," blowing his horn in the best post-bop tradition.
With ten band members and four guest soloists, there is a lot happening on the plush-sounding Mongorama, where that much musical firepower affords the luxury of layering textures and multipart harmonies. Musical Director Danilo Lozano takes full advantage of his resources to command a truly gorgeous sounding band. With great music and impeccable musicianship, Mongorama is an outstanding recording...and just plain fun.
Track Listing: Bacoso; Asi Es La Vida; Las Guajiras; Bluchanga; No Molestes Mas;
Bubba Boogaloo; Pato Mayombe; Siempre En Ti; Que Maravilloso;
Cruzan; Guajira at the Blackhawk; Tin Marin.
Personnel: Justo Almario: tenor sax; Danilo Lozano: flute and musical director; Oscar
Hernandez: piano; Ramon Banda: timbale; Rene Camacho: bass; Joey De
Leon: congas; Adonis Puentes: lead vocals; Alfredo Ortiz: guiro, vocals;
Alberto Salas: piano; Hubert Laws: flute (1); Poncho
Sanchez: congas (2); Freddie Crespo: vocals; Destani Wolf: vocals.