Griffin, of course, gets top billing on this album. But a significant amount of credit should go to his attending musicians, especially pianist John Rangel and even more especially, to Elizabeth Morton's singing. Her gentle, knowing rendition of "Corcovado" makes that song sound as if it is being played for the first time. Morton does the verse on "Spring Can Really Hang You up the Most" and makes one wonder why all singers of this poem put to music don't do the same. Griffin takes out his fluttering flute and, with Ron Koybayshi's trilling piano, does the accompanying honors. Griffin then does some Ben Webster like playing (before Webster became a heavy breather) on "Everything Happens to Me" and "Autumn Leaves". The latter is one of the occasions where Griffin extends and modifies the melody line, engaging in some soulful improvisation on the theme. "You Don't Know What Love Is" with Rangel's piano comping underneath and Carl Burnett's drums coming in and out would have been perfect for a film noire sound track. Dark and haunting, it will send chills down your spine with its eerie delicacy. There's fine work by the middle register trumpet of Jerry Rush on "Never Let Me Go" and "My Foolish Heart". The pace of the latter is as slow as syrup dripping from a maple tree in April.
Griffin plays in a variety of settings, small group, larger group with brass and Latin rhythm. No matter what the venue, his tenor provides a persuasive melody line on a classic standard play list. Highly recommended.
Track Listing: You Don't Know What Love Is; Never Let Me Go; Gee, Baby, Ain't I Good To You (A) (B); My Foolish Heart; Corcovado (Quiet Nights of Quiet Stars) (A) (B) (C); Autumn Leaves; Everything Happens to Me; Spring Can Really Hang You up the Most (A) (C)
Personnel: Fred Griffin - Tenor Sax/Flute; John Rangel, Ron Kobayashi (A) - Piano; Jerry Rush - Trumpet; Henry (The Skipper) Franklin (B), Jeff Littleton - Bass; Carl Burnett - Drums; Don Littleton - Congas; Elizabeth Morton (C) - Vocals
Record Label: Carpet Cat Records
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