and Ivan Lins. And he may be the only artist in the world who can list both Yo Yo Ma and Snoop Dogg among his credits.
Baptista's fourth release on Zorn's Tzadik label, and his second with his Banquet of the Spirits band, is billed as a collection of "experimental Brazilian pop songs." But it's unlike any pop music you're likely to hear on the radio, whether you're tuning your set in Sao Paolo or New York. Infinito is an exuberant, adventurous, at times frenzied blend of jazz, funk, Brazilian, Afro/Cuban and other Latin American musicsoften woven together within a single composition. "Kwanza," a tune penned by keyboardist Brian Marsella, for example, starts off with some funky electric-Miles fusion paired with Latin percussion before shifting rhythms, dynamics and instrumentation reveal a simple, sweet folk melody. But despite the wide-ranging sources and inspirations, the music never sounds forced or clumsy; the sound is seamless and organic, owing to the leader's highly developed vision of music as a global art that exists beyond any artificial national or genre divisions.
Baptista plays a huge array of percussion instruments from Brazil and around the world, as well as homemade instruments like a gas pipe, vacuum cleaner hose and something called a waterphone. One cut, "In Vitrous," features a collection of specially made glass instruments. His core group (Marsella, Shanir Blumenkranz
. Several tunes, like the title cut, the gorgeous "Adeus Às Filhas" and the lively "Cantor Cuidadoso" feature vocals, but the emphasis throughout is on high-spirited instrumental exploration. Infinito is a joyous, carnival-like treat for listeners who appreciate music without boundaries.
Track Listing: Infinito Coming; Batida de Coco; In Vitrous; Kwanza; Noia; Adeus as Filhas; Coronation of a Slave Queen; Cantor Cuidadoso; Pro Flavio; Blindman; Infinito Going.
Personnel: Cyro Baptista: percussion, vocals; Brian Marsella: keyboards, melodica; Tim Keiper: drums; Shanir Blumenkranz: bass, oud; Kevin Breit: guitar; Erik Friedlander: cello; Romero Lubambo: guitar; Ikue Mori: electronics; Anat Cohen: clarinet, saxophone; Zé Mauricio: conga; Chikako Iwahori: surdo; Scott Kettner: alfaia; Anne Pope: caixa; Sergio Brandao: bass.