Home » Jazz Articles » Album Review » Imogen Ryall: Imogen Ryall Sings the Charles Mingus / Jo...
Imogen Ryall: Imogen Ryall Sings the Charles Mingus / Joni Mitchell Songbook
ByThe album, consisting of three songs initiated by Mingus, two Mitchell compositions, a Mingus standard and a number of short interludes, became her worst-selling album of the 1970s. It received little radio play and a generally cold reception. Today, the album is seen as a key title in Mitchell's catalogue and a touchstone and inspiration for many jazz musicians. One of those is English singer Imogen Ryall, whose album, Imogen Ryall Sings the Charles Mingus / Joni Mitchell Songbook is a tribute to both musicians and the album they created.
Ryall, with three previous albums to her name, is a frequent performer at British jazz clubs and festivals and has worked with Ingrid Laubrock, Jim Mullen and Bobby Wellins. Her lyrics also appear on two albums by Claire Martin OBE. Ryall and her band have thoroughly submerged themselves in the world of Mingus and his aural environment. That band consists of saxophonist Julian Nicholas, bassist Nigel Thomas, pianist David Beebee and percussionist Eric Ford. Considering Mitchell had the likes of Jaco Pastorius, Wayne Shorter and Herbie Hancock to call on, this album is an ambitious undertaking.
Three songs from Mingus' original tapes made it onto the original album. Ryall is superb in conveying the bittersweet regret of "A Chair in The Sky," her companions offering consummate support. "Sweet Sucker Dance" is transformed into a lightly-swinging smooth ballad with Nicholas' sax prominent over Thomas and Ford's well-matched rhythms. Mitchell's delivery on "The Dry Cleaner from Des Moines" was a masterclass in fast whip-smart vocals. Ryall brings her own precision with a scat-style vocal as Ford and Beebee provide swing.
The Mitchell-only contributions include "God Must Be a Boogie Man," with lyrics inspired by Mingus' autobiography, Beneath The Underdog. Here, Nicholas' saxophone swings in and Ryall's warm voice and clear-cut diction carry the narrative before the light funk in the sax and piano solos. "The Wolf That Lives in Lindsey" is a Mitchell-only tune with no Mingus connection. Ryall's version is a stand-out with authoritative vocals and narration, together with excellent background interplay.
There are a number of references in the interludes between tracks to Mingus Ah Um (Columbia, 1959). In addition, Ryall provides her own sensitive lyrics for Mingus' instrumental ballad, "Self Portrait in Three Colours." The album closes with another track taken from that album, also included on Mitchell's album, "Goodbye Pork Pie Hat," Mingus' tribute to the late saxophonist, Lester Young.
There is no impersonation here, just a love of the musicians and the songs. Ryall's vocals are never overly showy and always in service to the material. Her empathetic partners are first-rate throughout and, from the sparest of original sonic palettes, arrange the material to suit their strengths. This is an ambitious album which takes plenty of risks. However, it has the power to take one by surprise and is an unexpected triumph.
Track Listing
Boogie Stop Shuffle (interlude); God Must Be a Boogie Man; A Chair in the Sky; Duke's Choice (interlude); The Wolf That Lives in Lindsey; Sweet Sucker Dance; I'se a Muggin' (interlude); Self-Portrait in Three Colors; The Dry Cleaner from Des Moines; Better Git it in Your Soul (interlude); Good-Bye Pork Pie Hat.
Personnel
Imogen Ryall
vocalsJulian Nicholas
saxophone, tenorEric Ford
drumsNigel Thomas
bassDavid Beebee
pianoAlbum information
Title: Imogen Ryall Sings the Charles Mingus / Joni Mitchell Songbook | Year Released: 2023 | Record Label: Rubicon