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In jazz, the marimba tends to be dwarfed by its sustain-friendly metallic cousin, the vibraphone. Many fine vibes players, like Bobby Hutcherson and Stefon Harris to name just two, double on marimba, but that instrument always comes second for themand for most jazz mallet playersand it almost never dominates a program; almost is the key word, as there are exceptions to that statement. A select few are willing to put the marimba first and Mika Stoltzman is one such individual.
The Japanese-born, New York-based Stoltzman isn't necessarily a jazz artist, as she's pitched her tent in various musical camps over the years, but she's one hell of a musician regardless of the stylistic tag(s) thrust upon her. Stoltzman made a name for herself in minimalist circles by appearing on Steve Reich: Triple Quartet (Nonesuch, 2001), and she turned some heads in the classical world by working with her husbandclarinet icon Richard Stoltzmanbut none of that defines her. Mika Stoltzman is beyond category, to use Duke Ellington's signature compliment, and she proves it here.
Stoltzman is joined by a stellar cast, including album producer/drummer Steve Gadd, bassist Eddie Gomez and her clarinet-toting husband, on a diverse program of music that was written or arranged expressly for her. In tackling this music, she moves through different corners of the world, from Brazil ("BECO") to Ireland ("Irish Spirit"), and explores various moods, from the funereal ("Pavane") to the cheery ("Cantabile"). She also gets down and dirty ("Funky Little Fugue"), adds a dose of tropicalia to the mix ("The Last Mojitos"), and makes her mark in intriguing realms ("Marika Groove").
Stoltzman proves time and again that she's a brilliantly borderless artist, but she's hardly the only game in town on this album. Her husband comes close to eclipsing her, as he melts the heart on the "Ballad" section of "Irish Spirit" and struts along on "The Last Mojitos," Gomez and guitarist John Tropea each get a few opportunities to step into the spotlight, and the GaddsSteve and Dukeboth do a fine job behind the kit. The presence of the Harlem String Quartet on a few tracks is the icing on the cake here, adding yet another dimension to this oh-so-unique album from this one-of-a-kind musician.
Track Listing: Mikalypso; Funky Little Fugue; BECO; La Fiesta; Irish Spirit: Ballad/Celebration Dance; Sambata; Jubilation; The Last Mojitos; Marika Groove; Cantabile; Pavane; Crazy Marimba.
Personnel: Mika Stolzman: marimba; Steve Gadd: drums (1, 4, 5, 7-10, 12), congas (3), percussion (4, 8); Richard Stolzman: clarinet (2-5, 8-11); John Tropea: guitar (2, 3, 6, 8, 10); Eddie Gomez: bass (2-4, 6-10); Duke Gadd: drums (2, 3, 6, 8), percussion (8); Harlem String Quartet (1, 4, 7).
I love jazz because my father shard it with me. I was first exposed to jazz as a kid with Eddie Condon records. I met Warren Covington when I was in College and he was leading the Tommy Dorsey Band. I sat in, and very soon after that began singing with a Big Band in Cleveland
I love jazz because my father shard it with me. I was first exposed to jazz as a kid with Eddie Condon records. I met Warren Covington when I was in College and he was leading the Tommy Dorsey Band. I sat in, and very soon after that began singing with a Big Band in Cleveland. The best show I ever attended was Earl Hines when I was in middle school. My Dad took me. The first jazz record I bought was a Dinah Washington LP. My advice to new listeners is to find artists and composers that are not mainstream. Go outside the box. Please don't just purchase what they are pushing on iTunes.