To Rococo Rot: Hotel Morgen

The asymmetrical symmetry of the band's palindromic name reflects the way these musicians do their thing. It's definitely art music in the most serious sense—you won't want to dance to a lot of it, that's for sure—but it's still rooted in a (kraut)rock sensibility. Short, regular units cycle through simple melodies, evolving gradually over time, resembling the better known Chicago post-rock band Tortoise's approach to composition. It is sometimes difficult to resolve exactly where the live performance stops and the electronics begin, which is fair enough given the band's unified theory.

Hotel Morgen winds its way through corridors alternately psychedelic and concrete, working cross-rhythms against each other. "Cosimo" is a downright trippy collection of fuzzy reverberations and echoes, so completely cloaked in dub-like trance that it's often hard to separate notes from ghosts. The brief, bass-rich "Portrait Song" has a synthetic edge to it, sort of like a polyester pastel, never really settling down. "Miss You" and "Bologna" are the most techno-ish of the bunch, with a repeated vamps tying down regular funky beats that suggest some sort of robot dance. "Ovo" and "Opak" exude a stop-start tension which gets sort of annoying if you're not paying attention (but if you are, it's just fine).

There's something authentic about this mixed-up sound; TRR is not afraid to blend moods and textures in ways that do not seem immediately coherent, yet still make plenty of sense over time.

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