Nancy Osborne: Hot Swing, Cool Jazz

The best summary I can offer is that the album offers "safe" middlebrow jazz music. Several of the tunes are currently overexposed per the Great American Songbook (eg. "I've Got You Under My Skin," "It's Delovely," "Georgia On My Mind") and deserve at least temporary retirement. Osborne's voice is fine, with a bright quality that emphasizes the lyrics and hits a balance with the orchestrations, so that both are heard to their advantages.

However, this is a big band vocal album, not a jazz-oriented vocal occasion. There are a few false starts. "It's De-Lovely" begins with the opening riff of "Milestones" and "Something's Gotta Give" begins with Osborne's vocalese matching the horn lines, but this is a introductory tease for both songs. Nancy Osborne also provides effective vocalese on the instrumental break of "Gypsy In My Soul." I'd suggest that this is an excellent choice for afficianados of big band music in a contemporary setting.

Let's look at a few more positives. Osborne opens with a saucy version of Peggy Lee's "I Love Being Here With You" and concludes with Bobby Darin's signature song, "As Long As I'm Singing," which he usually used to close sets. "Pardon My Southern Accent" is an obscure Johnny Mercer tune from 1934 and "Two Lost Souls," borrowed from the Broadway musical Damn Yankees, is a nifty duet with Ned Rifkin. Osborne's take on "He's A Tramp" (from the Disney film Lady and the Tramp) once again emulates the style of writer and performer Peggy Lee.

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