Don Cherry: Hear And Now (2010)

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Don Cherry: Hear And Now
That multi-instrumentalist and world jazz pioneer Don Cherry was able to adopt such a beatific countenance for the cover shot of Hear And Now says much for the power of yoga, given the horrors that follow. The disc has now been reissued as part of Warner Jazz's Atlantic Masters series. But non-yogis should heed this warning: if you only acquire one Don Cherry album in your life, don't acquire this one.



Recorded in December 1976, Hear And Now was produced by drummer/keyboardist Narada Michael Walden

Narada Michael Walden
Narada Michael Walden
b.1952
drums
, whose crimes against music—particularly at the height of the 1970s fusion era—are of a scale similar to those of pianist Bob James
Bob James
Bob James
b.1939
piano
. The album is a truly gross example of Walden's schtick: bombastic cock-rock lead guitars, lumbering bass ostinatos, leaden drums, warbling background vocals, a faddish veneer of exotic mysticism and a sub-Wagnerian taste for dramatic shifts in dynamics. Walden himself is only heard on two tracks, but unfortunately one of them, the opening "Mahakali," features him on tympani. If Spinal Tap had been a jazz-funk band, and if it had recorded the jazz odyssey talked about in the movie, this is what it would have sounded like.



There are some great musicians on the album: Cherry, tenor saxophonist Michael Brecker

Michael Brecker
Michael Brecker
1949 - 2007
sax, tenor
(heard on one track), and drummer Tony Williams
Tony Williams
Tony Williams
1945 - 1997
drums
(heard on two) among them. Cherry solos with vigor on trumpet on most tracks, and twice on flute, but it's not enough to lift the proceedings, which are dominated by Walden's unfailingly predictable arrangements and the guitar histrionics of Stan Samole
Stan Samole
Stan Samole
b.1950
guitar
. There's one halfway decent track, the Latin-infused "Karmapa Chenno," with a great conga break from Sammy Figueroa
Sammy Figueroa
Sammy Figueroa

percussion
and hot Cherry, but Samole's solo, this time attempting to pastiche Carlos Santana
Carlos Santana
Carlos Santana
b.1947
guitar
, drags it down again. All the tunes were written by Cherry, not that you'd notice.



Why do musicians of Don Cherry's caliber make albums like Hear And Now? To make some money, certainly; to have a laugh, maybe. Cherry probably didn't make much money on this one, so perhaps the cover shot says it all.

Track Listing: Mahakali; Universal Mother; Karmapa Chenno; California; Buddha's Blues; Eagle Eye; Surrender Rose; Journey Of Milarepa / Shanti / The Ending Movement--Liberation.

Personnel: Don Cherry: trumpet, flute, vocal; Michael Brecker: tenor saxophone (1); Stan Samole: guitar (1-5, 7, 8); Ronald Dean Miller: guitar (1, 3); Cliff Carter: keyboards (1-5, 7, 8); Narada Michael Walden: keyboards (7), tympani (1); Colin Walcott: sitar (1); Lois Colin: harp (2, 7); Moki: tamboura (1); Marcus Miller: bass (1, 3); Neil Jason: bass (2, 4, 5, 7, 8); Lenny White: drums (1, 3); Tony Williams: drums (4, 5); Steve Jordan: drums (7, 8); Raphael Cruz: percussion; Sammy Figuero: congas (2-6, 8); Cheryl Alexander: vocals (2); Phoenix Volaitis: vocals (7); Patty Scialfa: vocals (7).

Record Label: Warner Jazz

Style: Fusion/Progressive Rock


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