"Greatest Hits" compilations are not releases normally associated with jazz musicians, and especially not with pianist as decidedly avant-garde as Matthew Shipp.
Shipp explains that "My impetus for creating this CD was that I have a vast catalogue which I don't think the jazz world has started to absorb yet. I selected the tunes by which ones stood out in reviews of my CDs, which tunes had received the most airplay, or compositions I had received the most feedback on from friends and fans alike."
As such, it is an introductionand an able one, a window into Shipp's compositional soul.
An almost militaristic drum roll mark the beginning of "Gesture," and commences a sonic journey through Greatest Hits, a splendid collection that pairs Shipp with such accomplished bassist as William Parker
. The twelve tracks, taken from eleven different CDs, travel through different sonic universes. "Module" and "4D " provide a window into his solo space, always evocative and frequently meditational. Others, such as "Cohesion," add synthesizers and programming for effect. Horn tracks are limited, but trumpeter Wadada Leo Smith