Sagy Segal: Global Village

This feeling is intensified by Segal's arresting and articulate playing on the opener "Odd Dance" which takes pianist Anthony Coleman's re-working of Sephardic melodies a step ahead, and Segal's most beautiful lullaby solo piece for his daughter, "Blues For Lihi." On most other pieces however, Segal becomes more of a sideman. Examples include his tribute to the Brazilian composer Hermeto Pascoal, the Brazilian-tinged "Cristal," or when he shares the leadership roles with flutist Remko de Landmeter, who stresses a very gentle, almost new-age, attitude on "Mediterranean" where the interesting introduction of bassist Vasilis Stefanopoulos resembles a Middle-Eastern oud lost in the soft flute solos, or "Little Tango" which lacks the passionate feeling and drama of a real tango.

It is not that de Landmeter is not a capable musician as his restrained playing on "Indian Blues" proves— focusingly mainly on the Indian flute (bansuri), he has enough space to develop his musical ideas. But on most other pieces the concept of encompassing so many rich musical traditions in short songs fails to have the same musical and emotional impact.

The quartet and definitely Segal, has the potential and even the vision, but this recording gives the impression of a light-weight and brief visitor who intentionally avoids deep experiences.

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