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Satoko Fujii's notoriety is based on her originality, energy, and an unmatchable sense of fearlessness and adventure in the creation of music. As a leader of numerous ensemblesduos, trios, quartets, and big bandsshe is a gregarious and generous spirit. Her music ebbs and flows, a moment of captivating serenity followed by a burst of a clamorous, sometimes riotous action. A gentile and pretty interlude followed by a flailing riot, with each band member giving as good as he or she gets.
But when Fujii goes soloand it's not often happened in her near- 20-year career, on Sketches (NatSat, 2004) and Indication (Libra, 1997)she reveals a more introspective side.
Gen Himmel, conceived by Fujii to honor a number of her friends who had passed away over the past few years, finds the pianist in the solo setting once again, where she is at her most gorgeously lyrical. It is music that is by turns stately, reverent, happy, spacious and majestic. Her early classical training comes to the fore in cerebral segments, and there are moments of melancholy and reserve. Space is a factor, as is deliberation. There are intensely focused forays into idiosyncratic complexities that only Fujii could conjure, in this very personal journey.
The 2:30 title tune ("Gen Himmel" is German for "Toward Heaven") opens with a brief intro that sounds like subtle electronics, but is actually Fujii's use of metal-headed percussion sticks to coax subtle sounds from the piano stringsa technique she uses often, and one that draws the ear. Its spare and deliberate chords, like a church house sendoff, usher the listener off on the journey toward peaceful eternity.
Fujii employs dark tones on "In the Dusk." The same can be said for "Hesitation," while on "Take Right," Fujii again employs piano preparations, altering the instrument's timbre by placing objects on the strings. Fujii is masterful at this technique, which gives her artistry a mysterious, unearthly quality.
Fujii, in her ensemble work, can be described as a musical daredevil. Fujii solo, as on Gen Himmel, is pure, finely focused beauty, from beginning to end.
Track Listing: Gen Himmel; In the Dusk; Hesitation; Take Right; Ram; A.S.; Dawn Broun;
Summer Solistice; I Know You Don't Know; Ittari Kitari; Saka; Der Traum.
I love jazz because my father shard it with me. I was first exposed to jazz as a kid with Eddie Condon records. I met Warren Covington when I was in College and he was leading the Tommy Dorsey Band. I sat in, and very soon after that began singing with a Big Band in Cleveland
I love jazz because my father shard it with me. I was first exposed to jazz as a kid with Eddie Condon records. I met Warren Covington when I was in College and he was leading the Tommy Dorsey Band. I sat in, and very soon after that began singing with a Big Band in Cleveland. The best show I ever attended was Earl Hines when I was in middle school. My Dad took me. The first jazz record I bought was a Dinah Washington LP. My advice to new listeners is to find artists and composers that are not mainstream. Go outside the box. Please don't just purchase what they are pushing on iTunes.