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Gabriel Espinosa: From Yucatan to Rio (2009)

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Gabriel Espinosa: From Yucatan to Rio How we rate: our writers tend to review music they like within their preferred genres.

A native of Merida, the capital of the Mexican state of Yucatan, bassist/composer/arranger Gabriel Espinosa delivers his fourth album and ZOHO debut with a stunning recording, delving into a palette of Brazilian-colored music with the help of an international cast of world-class musicians. Living in Merida since the age of fourteen, Espinosa spent years listening to and absorbing the bossa nova sounds brought by touring groups headed for the United States as part of the new wave that swept the U.S. in the early '60s.

For Espinosa, From Yucatan to Rio is the natural culmination of that experience which so heavily influenced him that he adopted the bossa and samba sound as his own, composing the majority of the album's Brazilian style repertoire. As an arranger, Espinosa adds his own twist to Antonio Carlos Jobim

Antonio Carlos Jobim
Antonio Carlos Jobim
1927 - 1994
piano
's "Agua de Beber," featuring vocalists Darmon Meader and Kim Nazarian from the renowned New York Voices
New York Voices
New York Voices

band/orchestra
, as well as Alison Wedding providing background alto vocals. Wedding also contributes two original scores, contributing lead vocals on "We've Come Undone" and "Remain."

For this enchanting session, the bassist assembles an extraordinary cast of musicians, among them master trumpeter Claudio Roditi

Claudio Roditi
Claudio Roditi
b.1946
trumpet
, pianist Helio Alves
Helio Alves
Helio Alves

piano
, guitarist Romero Lubambo and drummer Adriano Santos. He rounds out the personnel with fellow countryman Antonio Sanchez
Antonio Sanchez
Antonio Sanchez
b.1971
drums
sharing drum duties, while Israeli clarinetist Anat Cohen
Anat Cohen
Anat Cohen

sax, tenor
makes an appearance on the buoyant "Nuevos Horizontes." Last but certainly not least by any measure, Espinosa has the good fortune of drawing upon the magnificent alto saxophone voice of Switzerland's George Robert
George Robert
b.1960
, who plays a major role throughout the recording but is especially pronounced on the semi-classical "Klavier Latino" and two standout tunes, "LP 07" and "Azul Y Negro." Roditi and Robert deliver expressive lines on Espinosa's light and spacious ballad "Maria," with guitarist Lubambo providing very nice warm chords leading to the end of the piece. Pianist Alves introduces the samba-fueled finale "Huracan," taking over with a furious performance on an up-tempo tune that, indeed, moves with the force of a hurricane.

Espinosa is an unselfish leader who prefers to remain in the background while his band mates bask in the limelight, with superb solos from all. Accordingly, there are few bass solos on this disc but this album is not so much about the featured soloist as it is about the music, and on this point Espinosa takes all the credit, since his compositions are what makes From Yucatan To Rio such an enjoyable album to hear and revisit often.


Track Listing: Agua de Beber; Klavier Latino; LP 07; We've Come Undone; Nuevos Horizontes; Morning Breeze; Azul Y Negro; Remain; Maria; Huracan.

Personnel: Gabriel Espinosa: bass, background vocals; Claudio Roditi: trumpet, flugelhorn; George Robert: alto sax; Helio Alves: piano, keyboards; Alison Wedding: lead vocals (4, 8), backing vocals (tracks 2 and 9), alto (track 1); Antonio Sanchez: drums (2, 5, 6, 8, 9); Adriano Santos: drums (1, 3, 4, 7, 10); Darmon Meader: vocals (1); Kim Nazarian: vocals (1); Anat Cohen: clarinet (5); Romero Lubambo: guitar (3, 4, 6, 8, 9); Dende: percussion; Patricio Espinosa: background vocals (9).

Record Label: Zoho Music

Style: Brazilian


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