Papo Vazquez Pirates Troubadors: From the Badlands

Vazquez'a music is earthy and powerful. He mines the music of Puerto Rico and Cuba for their dynamic impact and comes up with a colorful hybrid of sound and rhythm.

The dominant motif here is the mambo, which Vazquez uses on three compositions. Each has a different feel. "The Mighty MF's meshes jazz and mambo, "Los Mediocres blends bomba and mambo, while "Si Senor Bob captures the character of New York mambo jazz.

Willie Williams (tenor sax) flies into bop territory on "The Mighty MF's, laying the groundwork for Vazquez, whose short slides and quick growls are complemented by deep jabs. Sherman Irby (alto saxophone) is in fiery mode, his blazing lines cooled by the airy fan of Freddie McFarlane's piano. The brass returns, and the melody moves into the mambo, a frame that has been set by Richie Flores on percussion.

Herman Olivera (vocals) and Nelson Jaime (trumpet) interact with the percussion section for a swaying time on "Los Mediocres. The energy from the call and response of Olivera and the coro with the swinging formations that Irby, Williams, Vazquez and Edsel Gomez (piano) add, stamp the class on this tune.

The mambo beat swishes into "Si Senor Bob. Vazquez opens the melody, solid in his flow of ideas and the content he fills in. Gomez creates the jazz balance, an ethereal beauty flowing nimbly in his notes.

Vazquez shows his tranquil side on "Lina's Waltz. He illuminates the head, playing with gentle demeanor, his lines alluring. The horns punch the pulse and change the dimension, but the main channel is held by Vazquez who is an emotional store house. Irby and Williams add modulated swing, and push the boundaries with hard edged swipes. And this, of course, is another smash.

Comments