Force of Light
Kaufman was first transfixed by Celan's poetry a decade ago. When Tzadik's John Zornanother Celan admirer who dedicated his own "Shibboleth" to Celan on From Silence to Sorcery (Tzadik, 2007)invited Kaufman to record for the Radical Jewish Culture in 2005, the guitarist decided to dedicated three years to preparing for the project. He augmented Barbez with three string players and asked Scottish playwright and poet Fiona Templeton to read the poems, which she does excellently with a quiet, almost restrained delivery that only intensifies Celan's images. His arrangements of seven Celan poems and one instrumental don't attempt to enhance musical images of Celan's language, but wisely offer a solemn emotional resonance of these magnificent poems.
Kaufman's Spanish-tinged string guitar on "Shibboleth," lightly references lines that hint to opposition against rising Fascism in civil war Spain by La Passionara, but this is an exception. None of the other arrangements surrender easily to obvious references, but succeed in transmitting a mysterious aura that calls for repeated listenings, just as Celan's poetry demands constant readings. Pamelia Kurstin's theremin is central to Kaufman's musical setting, stressing the almost wailing human vocal characteristic of this vintage instrument. The gentle use of theremin, together with Kaufman and Peter Lettre's distant, resonating guitars and Peter Hess' sad clarinet envelope "Aspen Tree," where Celan mourns the loss of his mother, implying the intense imagery while never trying to force it.
The theremin merges beautifully with the strings in a spare and slow arrangement of another poem that addresses Celan's mother's death, "Count the Almonds." It uses the bitter almonda repeating motive in Celan's poetryas a powerful metaphor for Jewish fate. The fifteen-minute sober and modest arrangement of an excerpt from the only prose text that Celan published, Conversation in the Mountains (1959), a cryptic meditation on Jewish identity, is also impressive. Long, sustained guitar lines fuse with the peaceful theremin's singing, and minimal touches of vibes and drums, all echoing Templeton's straightforward and unpretentious reading.
A Haunting and possessing release.
Track Listing: Shibboleth; Force of Light; Aspen Tree; Corner of Time; Count the Almonds; The Black Forest; Conversation in the Mountains; Sky Beetle.
Personnel: Dan Kaufman: electric guitar, string guitar, lap steel guitar; Pamelia Kurstin: theremin; Peter Lettre: electric guitar and bass, upright bass; Danny Tunick: vibraphone, marimba; John Bollinger: drums; Dan Coates: electric bass, sampler; Peter Hess: clarinet, bass clarinet, contralto clarinet. Special Guests: Sarah Bernstein: violin; Julia Kent: cello; Catherine McRae: violin; Fiona Templeton: voice.
Record Label: Tzadik
Style: Fringes of Jazz
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